https://judith-hamann.com Judith Hamann Fri, 21 Mar 2025 12:34:45 +0000 https://judith-hamann.com en http://judith-hamann.com/Untitled-page Fri, 21 Mar 2025 12:34:45 +0000 Judith Hamann 456297 http://judith-hamann.com/A-COMPREHENSIVE-SURVEY-OF-AUSTRALASIAN-SNAKES Mon, 31 Oct 2022 11:46:35 +0000 Judith Hamann 432774 A COMPREHENSIVE SURVEY OF AUSTRALASIAN SNAKES‘A comprehensive survey of australasian snakes’ (ACSAS)&nbsp; is a duo project which explores acoustic instruments interactions, movement, and the possibilities of instrumental timbral density via mapping the movements and interactions of snakes. An attempt to create a thinking-with snakes, rather than mapping such structures using more linear senses, the ACSAS duo will interrogate these forms via complex research into multiphonics on both clarinets and cello, research into the potential of depth of field in harmonic space via combination/difference tones, and research into how density of sound can create a sense of movement. This project also represents a ongoing exploratory meeting point between Sam Dunscombe’s research into sound plasma, and Judith Hamann’s research into sonic ‘collapses.’ JudithHamann · A Comprehensive Survey Of Australasian Snakes Survey I <img width="1200" height="849" width_o="1200" height_o="849" src_o="https://cortex.persona.co/t/original/i/5ac105adb8a80d05a4896fdcff4c635a4a9501053126158ac9aa40396dbd9735/sam-photo.jpeg" data-mid="1236242" border="0" />JudithHamann · A Comprehensive Survery Of Australasian Snakes Survey II <img width="3120" height="3934" width_o="3120" height_o="3934" src_o="https://cortex.persona.co/t/original/i/9f56637c4e3ab511a80219ca46751f305f1a9f0f9d38f602a7d518dd25c3f5b8/Judith-Hamann-b-w.jpg" data-mid="1236243" border="0" /> A COMPREHENSIVE SURVEY OF AUSTRALASIAN SNAKES‘A comprehensive survey of australasian snakes’ (ACSAS)&nbsp; is a duo project which explores acoustic instruments... http://judith-hamann.com/Anthea-Caddy-and-Judith-Hamann Thu, 20 May 2021 10:19:40 +0000 Judith Hamann 405751 <img width="1280" height="960" width_o="1280" height_o="960" src_o="https://cortex.persona.co/t/original/i/28da7e641a1118ad04fec106e5303ad0fb4e3c4a50244961e37ff2f1b3397b76/IMG_9701.jpg" data-mid="1090265" border="0" /> ANTHEA CADDY AND JUDITH HAMANN Anthea Caddy and Judith Hamann are recognised as complementary innovators across a spectrum of contemporary cello performance practice. Their work combines acoustic phenomena, amplification, spatialisation, and extending the technical capacities of the cello into a holistic framework: one that uses co-composition and acoustic materialities as the central guide towards immersive, durational new work. The duo has developed new work at Italy’s renowned experimental sound practice institution, Tempo Reale (Florence), EMS studios (Stockholm), and at the prestigious contemporary arts space Q-02 (Brussels).&nbsp;Anthea and Judith have presented their co-composed work in Amsterdam (Sonic Acts Festival/GRM), Milan (O’Gallery), and Melbourne (Inland Concert Series). The reception of their work testifies to their excellence and innovation in their field, garnering attention for exploring new territories in composition, and acoustic/electro-acoustic research for two cellos. Anthea Caddy + Judith Hamann · CaddyHamann SideB End Excerpt Individually, they have been recognised for their excellence in the field of experimental practice through awards (Music Victoria Best experimental/avant-garde act), festival presentations (Huddersfield Contemporary Music Festival, Darmstadt Festival, LA Philharmonic Fluxus Festival), and invitations to present their work in venues and galleries internationally. Caddy and Hamann were recipients of an APRA AMCOS Art Music Fund grant in 2019 to compose a new work for two cellos and complex amplification systems. Their debut album will be released in 2022. ANTHEA CADDY AND JUDITH HAMANN Anthea Caddy and Judith Hamann are recognised as complementary innovators across a spectrum of contemporary cello performance... http://judith-hamann.com/Portfolio Sun, 07 Jul 2019 06:13:34 +0000 Judith Hamann 330126 IMAGES/+ installation and intermedia workPortfolio of recent work HERE Paper MembranesA paper membrane considers the activity of frottage as an act of recording. These pieces, in a similar approach to the use of field recording in my recent work, collapse the idea of truth, creating imaginary ‘recordings’ of physical space, objects, and textures. These fictional landscapes, merge interior and exterior spaces, where interior wall, tree, and stone become part of the one tracing, a recording of an impossible surface. <img width="2670" height="4000" width_o="2670" height_o="4000" src_o="https://cortex.persona.co/t/original/i/d873dd4e41b49e14a93472f9e4cc94a145514319ef75ce980d8e6a64ae87e20b/HIAP-Open-Studios-2020-Spring_0034.JPG" data-mid="923716" border="0" /> <img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/12d7af7cb9317c9e37f396804a8f6f30d217ee4e432a3800f44cc0288d943372/IMG_2055.jpg" data-mid="923719" border="0" /><img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/0adef6cd75f126aaf652adec3fa4e3a13e92f604e5da8346efcc1d738a407f61/IMG_2227.JPG" data-mid="923723" border="0" /><img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/ad213c434b872121dd7f2ca1529980788ff9c5dfb5d7cad8b8ccd60320cf3dff/IMG_2241.JPG" data-mid="923727" border="0" /><img width="3803" height="2546" width_o="3803" height_o="2546" src_o="https://cortex.persona.co/t/original/i/1823b7c1ec3dd2bd201e072852dac40ee0bf11db8254509b2bf1b9cb815224dc/HIAP-Open-Studios-2020-Spring_0006.jpg" data-mid="923721" border="0" />Photos 1 and 4 by&nbsp;Sheung Yiu with thanks to HIAP Trace Constellations Alte&nbsp;Münze, Berlin, July 2021 ‘Trace Constellations’ is a kind of sound installation as slippage, a collapsed, imaginary surface of the sonic life of the Alte Münze courtyard and the interior resonance of Raum on Demand. <img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/34674b3f7463ee8d8c7fb07d3ff7f8ef114221c416fd873315ee2216c5f3f49c/IMG_7325.jpg" data-mid="1141654" border="0" />I’m thinking of this as a ‘constellation’ because that kind of approach to mapping seems to hold within it the idea of multiple nodes of inquiry sharing a space with inferences and connections able to be traced into different shapes and relation. A wide ranging study of the space via: ...dreamed leaf creatures, etymological trails, feedback, breath and bronchioles and rhizomes, field recordings from the listening position of plants that no longer exist, traced histories of bamboo in colonial Europe and shopping mall replications, breath, ye olde text to voice cliches, humming, large scale graphite drawings, multiple temporal metabolisms, institutional aspirations of mainstream German jazz via its so-called ‘emancipation’ from Blackness and accountability, weather, coins, haunts, cello tracings. <img width="2840" height="3695" width_o="2840" height_o="3695" src_o="https://cortex.persona.co/t/original/i/2220ef5cc0fd4c00cd7e4bb6026bd0b045a13c3470cefdfc3606fd50707857ec/IMG_7176.jpg" data-mid="1141652" border="0" />During the course of its making, this piece somehow developed its own logics: primarily, that of an inquiry into what forms might emerge when something remains without its originary context; without its body or frame, when it slips outside its own temporal scaffolding. It moves towards how we might configure remainders, traces, parts, into a rendering of a new whole, how we might recast losses, ghosts, and artefacts into their own dimensions (in terms of measurements, spaces, or dwelling places). This refers not only to things past, but the reaching for, the tending toward future iterations, or horizons. This courtyard is, in many ways a witness to the slow extinctions/extinguishing of cultural imaginaries in progress, from its past life as a coin mint ‘outside’ of capitalism in the DDR, to a future jazz centre without Black leadership or connection to local community, without reparations.This work takes place in an attempt at a sort of blurring; of weather, uncanny layers, days and spaces collapsed then replayed, hallucinations, visions and fragments, glimpses of alternate leaky versions of now. <img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/f8c1eeceaf2f9faa1113e5643939d530d6e7d73eeee1feb93fc1c0a486494c96/IMG_7323.jpg" data-mid="1141655" border="0" /><img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/5cb8483bc6781fd453f6a8afe4d6a6c41081c413f2396957ab3ad57c70293647/IMG_7315.jpg" data-mid="1141656" border="0" /> Using audio material generated by the Raum and Hof themselves in the form of feedback and field recordings, layered with interpretations and contributions undertaken away from the space, this work lives in a porous position, in-between document and fiction.The Alte Münze courtyard and I haunted each other for a little while, leaving traces to follow in our respective absences. As much of me leaked into this space really, as it in turn leaked into my own; a courtyard nested inside my own apartment, inside a quarantine, dragging along with me as far as summer solstice permanent daylight in the north of Norway, embroidering and burnishing a ‘place, out of place.’ <img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/d24a961017c3b30c6b08a30efa23d72ffe402c91beb3f42500c6a9980375a585/IMG_7305.jpg" data-mid="1141658" border="0" /> Povinelli asks: what if we reconsider the limits of ourselves, our bodies, how we mark out the edges of us, where we might end and the world begins, ideas of limit, contagion and entanglement. Humans often think of our skin as one limit, one sort of edge, but she asks us to consider "Where is the human body if is viewed from the lung?"Breathing puts us in intimate relation with other systems of respiration; a leaf, green plants, bacteria, animals, microbes; it forms a porous exchange with multiple systems, eco-systems, scales, cycles and spaces. In living, we cannot avoid taking in the world, we cannot avoid breathing ourselves back out into it. This piece is intended to be something that breathes; that allows for multiple simultaneous spaces emerging, disappearing, opening, focusing, interrupting. Something that might sneak up on you, that you may or may not really notice, depending on your timing, depending on your luck.<img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/c0f6d35eee4916034cfb622f36f67f903ac8ff1b95f648dbf150196ebadde08c/IMG_7318.jpg" data-mid="1141653" border="0" /> <img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/2b384db4b01bada762c3cc3f14e4d8fc0bfd096cb3b6bb60783f56346d1399fe/IMG_7307.jpg" data-mid="1141657" border="0" /> Work in progress for durational sensorimotor drawings and massed recordings MARCH - MAY 2020 Work in progress for durational sensorimotor drawings and massed recordings is an exploration of how we might represent duration, labour, and massing through sound artefacts. It is also a component of my research project Shaking Studies. Built slowly from a daily practice of mark making guided by physical impulses of the body and the resistance of marker and paper, this visually gestures towards seismographs, electrocardiograms, or polygraphs: recordings and measurements of impulse, tremor, truth, or signs of life. This work was intended to be experienced as an installation, with the unspooled drawing spanning my studio space at HIAP Suomenlinna, with the audio of each recording stacked into a massed sound work of jagged micro-rhythmic events and noise. <img width="960" height="1280" width_o="960" height_o="1280" src_o="https://cortex.persona.co/t/original/i/8f1e2feeb404e79a2f1238417dcf31313b34296158ffb87d560dc2cbc87113f5/IMG_0342-1.jpg" data-mid="892098" border="0" /> <img width="2667" height="4000" width_o="2667" height_o="4000" src_o="https://cortex.persona.co/t/original/i/9152ea9a4edbb756aad10d7f3e50123eb06d5373ab90e3fa24b9640b4b486d55/HIAP-Open-Studios-2020-Spring_0038.JPG" data-mid="923717" border="0" /> <img width="918" height="1280" width_o="918" height_o="1280" src_o="https://cortex.persona.co/t/original/i/e28af00d393edfecf804072b1aa8b90cd9bd3592e577171a7e2cc3879823eca2/IMG_0373.jpg" data-mid="892097" border="0" /> Photo 2 by Sheung Yiu with thank to HIAP Video by Shubhangi Singh with thanks to HIAP Work for two hands and massed recordings MARCH - APRIL 2020 <img width="4000" height="2670" width_o="4000" height_o="2670" src_o="https://cortex.persona.co/t/original/i/d75dbc83ece6b22ea118e7b29f97513d85537c36804d701cb79b06cc48c99004/HIAP-Open-Studios-2020-Spring_0031.JPG" data-mid="923718" border="0" /> <img width="960" height="1280" width_o="960" height_o="1280" src_o="https://cortex.persona.co/t/original/i/7509c1f25e36e82134607348f26a19739ea4012082ce117bc88542a4d44a452a/IMG_0350.jpg" data-mid="891538" border="0" /> <img width="945" height="1280" width_o="945" height_o="1280" src_o="https://cortex.persona.co/t/original/i/cff37a32384556fa7a62881d9a07537139863af0810efe8f10c1758f57472591/IMG_0198-1.jpg" data-mid="888445" border="0" /><img width="681" height="1280" width_o="681" height_o="1280" src_o="https://cortex.persona.co/t/original/i/9e8040148180e9d26ab795334de6812e0def953d897a6d1e8d870f4ccfb8080d/IMG_0190-1.jpg" data-mid="888447" border="0" /> Rammed Earth tests Gravel collected from Suomenlinna and Finnish red clay APRIL - MAY 2020 <img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/44331c6b05a0349b1842baf0c5a27020397ed20d027b0e5f1c0f4818044aae06/IMG_2269.JPG" data-mid="923735" border="0" /><img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/0da231a94b3a181d0d9d9596bfcce746016fad60404cf30fec1ec829b473acd8/IMG_2266.JPG" data-mid="923736" border="0" /> <img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/71b5d5d589b99d99b3ad0b7132b35d770cb6bf8b9fdb6da955263a7c2e867b3a/IMG_2265.JPG" data-mid="923734" border="0" /><img width="960" height="1280" width_o="960" height_o="1280" src_o="https://cortex.persona.co/t/original/i/215d638ec40a7bd888468c1fab6e6923f296567fd2e9b8b6753c48ea814b63b1/IMG_0939.jpg" data-mid="923739" border="0" /> Absence Makes the Heart GrowAnalogue recording device tests: clay -&nbsp; MARCH 2020 <img width="3024" height="4032" width_o="3024" height_o="4032" src_o="https://cortex.persona.co/t/original/i/e9f5e10321c3540a7327c0e11adf8f3fc496893da414bde2eb15bf00870cd669/IMG_0250-2.jpg" data-mid="888449" border="0" /> <img width="4032" height="3024" width_o="4032" height_o="3024" src_o="https://cortex.persona.co/t/original/i/b1b3d2acb17376f2b7f71cba840082f6671be30d16ce2baf74b979c702ece548/IMG_0248-1.jpg" data-mid="888451" border="0" /> IMAGES/+ installation and intermedia workPortfolio of recent work HERE Paper MembranesA paper membrane considers the activity of frottage as an act of recording.... http://judith-hamann.com/Text Sat, 20 Apr 2019 02:26:06 +0000 Judith Hamann 320429 TEXT Goose ApparitionsAn essay-in-progress Hinterhof&nbsp;Longform Editions - Artist NotesSome Notes on Anedoctal Music A Listening Session for RUPERT residency, Vilniuis. Judith Hamann CV Pdf of Judith Hamann’s CV Tashi Wada Duets Extract from ‘Double, Sync, Constellate: Realization Specific Works for More Than One Cello,’ March 2018. Shaking Studies Paper from a ‘Performance and Paper’ presentation at the Gender Diversity in Music Making Conference, Monash University, July 2018. Home TEXT Goose ApparitionsAn essay-in-progress Hinterhof&nbsp;Longform Editions - Artist NotesSome Notes on Anedoctal Music A Listening Session for RUPERT residency,... http://judith-hamann.com/Releases Tue, 28 Nov 2017 21:41:14 +0000 Judith Hamann 233311 RELEASES <img width="288" height="288" width_o="288" height_o="288" src_o="https://cortex.persona.co/t/original/i/7b5e54ddf2427498b871c13aa9bda2babba4256f8c80352122bd36985bdc14f6/aunes-front-cover-small.jpg" data-mid="1435956" border="0" /> Aunes Judith Hamann Shelter Press <img width="216" height="216" width_o="216" height_o="216" src_o="https://cortex.persona.co/t/original/i/207241d0d8183b3fd6c801f047f5d0574ffbc2e91de94203f28a2291820533fe/small-cover-oto-amanda.jpeg" data-mid="1310261" border="0" /> Judith Hamann 4.12.22(live at cafe oto) otoroku digital <img width="300" height="300" width_o="300" height_o="300" src_o="https://cortex.persona.co/t/original/i/19ba97ca51b9e9c73851298bcf3efdfa8cb3a4b8fb439be21eb14d31490baf79/SE011-back-small.jpg" data-mid="1236129" border="0" /> A COINCIDENCE IS PERFECT, INTIMATE ATTUNEMENT Marja Ahti and Judith Hamann Second Editions anost <img width="176" height="300" width_o="176" height_o="300" src_o="https://cortex.persona.co/t/original/i/a2a52c4b55f50a35bc207c0eb200eaecfa2930bf8457ec3d138d93e7491239b8/Canti-B-H-Final-web-copy.jpg" data-mid="1149307" border="0" />RE-RECORDER (Cassette)&nbsp; Joshua Bonnetta &amp; Judith Hamann Canti Magnetihttps://cantimagnetici.bandcamp.com/album/re-recorder <img width="216" height="216" width_o="216" height_o="216" src_o="https://cortex.persona.co/t/original/i/51dd5f461057efd42be558f8c903259aff05c8d7e7f426f7203ee3346a6e6af7/superpang-copy.jpeg" data-mid="1107630" border="0" /> A Coffin Spray (for Jeff) (Digital) SUPERPANGhttps://superpang.bandcamp.com/album/a-coffin-spray <img width="216" height="216" width_o="216" height_o="216" src_o="https://cortex.persona.co/t/original/i/bfc83ba702e0a5b721ed1f1ef2a496c7aa777ea6fc411afbb39f2e9a493d3587/longfrm-smaller.jpg" data-mid="1078394" border="0" /> Hinterhof (Digital) Longform Editionshttps://longformeditions.com/editions/hinterhof <img width="300" height="274" width_o="300" height_o="274" src_o="https://cortex.persona.co/t/original/i/39f60cd179ed6d62c7a0fe05a7b5255b08ab1408553a2cff4af825b3cefa45ae/at165-releases-page-size.jpg" data-mid="1013751" border="0" /> Days Collapse (CD) Another Timbrehttp://www.anothertimbre.com/judithhamann.html <img width="252" height="252" width_o="252" height_o="252" src_o="https://cortex.persona.co/t/original/i/99b54ca70c1fc579e489a80988d9987c6fb9bd35b99f3a83e4313ff17aa40353/Shaking-Studies-LP-front-cover-small.jpeg" data-mid="971216" border="0" /> Shaking Studies (LP) Blank Formshttps://blankforms.org/publication/judith-hamann-shaking-studies-lp/ <img width="252" height="251" width_o="252" height_o="251" src_o="https://cortex.persona.co/t/original/i/e9235fa29fdec277424d3f263dc6d6bae336676442d2cfed862d726d2bbd0a47/Music-for-Cello-and-Humming-CD-front-cover-small.jpeg" data-mid="971218" border="0" /> Music for Cello and Humming (CD) Blank Formshttps://blankforms.org/publication/judith-hamann-music-for-cello-and-humming-cd/ <img width="300" height="283" width_o="300" height_o="283" src_o="https://cortex.persona.co/t/original/i/1a5987ad89c601b43811f9659882e391e593874d06d432c620ad3a0d7e9e4526/peaks-cover-small.jpeg" data-mid="971185" border="0" />Peaks (LP) Black Trufflehttps://blacktruffle.bandcamp.com/album/peaks <img width="252" height="252" width_o="252" height_o="252" src_o="https://cortex.persona.co/t/original/i/e523d65f239480d119b7f178ad1120e8c6ee027d6164723e65d1ef312d6a647c/portals-small-copy.jpg" data-mid="936579" border="0" /> Portals (Digital) Marja Ahti &amp; Judith Hamann Takurokuhttps://www.cafeoto.co.uk/shop/marja-ahti-judith-hamann-portals/ <img width="240" height="240" width_o="240" height_o="240" src_o="https://cortex.persona.co/t/original/i/c3546cf0c1b3ac94d3b1c63015441237702a2f221bb00e2713d4f32cc4b70719/beissel-resized.jpg" data-mid="654915" border="0" />Beissel (CD) Klaus Lang and Golden Fur Another Timbrehttp://www.anothertimbre.com/beissel.html <img width="216" height="216" width_o="216" height_o="216" src_o="https://cortex.persona.co/t/original/i/6fe1f2f7cf67d7aac787fd57b31f4523e804fe9ff212ed4b1587772ce73b35bc/alloys.jpg" data-mid="625128" border="0" /> Alloys (CD) Lori Goldston and Judith Hamann Marginal Frequencyhttps://marginalfrequency.bandcamp.com/album/mfcd-e-alloys <img width="216" height="235" width_o="216" height_o="235" src_o="https://cortex.persona.co/t/original/i/4abb1076448ebc3da93248a57680bc947f3656f17cf7db24cca2af6f12424b8b/gossamers-small.jpg" data-mid="332443" border="0" />Gossamers (CD) Rosalind Hall and Judith Hamann Caduc http://caduc.org/catalogue.html <img width="202" height="205" width_o="202" height_o="205" src_o="https://cortex.persona.co/t/original/i/6280c59bebccadd21ec7a8780ab3f470870c3f1b63366f2d87df426d0a079e18/tashi_duets_web.jpg" data-mid="332440" border="0" /> Duets (LP) Tashi Wada performed by Charles Curtis and Judith Hamann Saltern http://importantrecords.com/imprec/slt001 ...OTHER THINGS YOU CAN FIND ME ON...------------------------------------------------------------------------ <img width="288" height="288" width_o="288" height_o="288" src_o="https://cortex.persona.co/t/original/i/26440a5f382440bb0d902c6680ab8d6d8ca9dc23126c17c5cee517ac849b2b36/Screen-Shot-2022-08-15-at-6.55.49-pm.png" data-mid="1215087" border="0" /> Two Sisters Sarah Davachi Late Musichttps://sarahdavachi.bandcamp.com/album/two-sisters <img width="288" height="287" width_o="288" height_o="287" src_o="https://cortex.persona.co/t/original/i/87ce6ac9d5176f84e396fc60189ac024c08dfaa2484533203fcd09f1f6d8221a/Screen-Shot-2022-01-26-at-12.14.02-pm.png" data-mid="1158003" border="0" />howwouldyoufeelwithoutthatthought CS + Kreme The Triology Tapes https://csandkreme.bandcamp.com/album/howwouldyoufeelwithoutthatthought <img width="216" height="220" width_o="216" height_o="220" src_o="https://cortex.persona.co/t/original/i/f5adcfea915ffd1b35a4af2f18a1d805438fee5b00839f13aa60497993993557/AJFN-resized.jpg" data-mid="872967" border="0" />A Jurist For Nothing Alan F Jones Gertrude Tapes https://thegertrudetapes.bandcamp.com/album/a-jurist-for-nothing?fbclid=IwAR1XWfQ-ZMY14y2n3QKMijd4B2_FOxt-VSDrQUSH7PZcHFD8-2f7caK1HDE <img width="216" height="216" width_o="216" height_o="216" src_o="https://cortex.persona.co/t/original/i/2088a83049304fe0a20cde532bb0804fccce8c8cc086ca3835d04ec336457f5e/PP42_The_Blue_Horse_web-500x500.jpg" data-mid="705597" border="0" />The Blue Horse Sholto Dobie &amp; Mark Harwoodhttps://www.penultimatepress.com/product/sholto-dobie-mark-harwood-the-blue-horse-cd-2/ michael winter: approximating omegamuirgen éléonore gourgues (reading), judith hamann (violoncello) michael winter (piano) EWR 1718 http://www.wandelweiser.de/new_releases/&nbsp; audio excerpts: ► &nbsp;approximating omega &nbsp;(15:00) ► &nbsp;for gregory chaitin &nbsp;(10:20) <img width="153" height="240" width_o="153" height_o="240" src_o="https://cortex.persona.co/t/original/i/b36e5a4aaa49b7981aff54ed14c4911265284422af0d6a462ac34fffd74af0de/kindred_cover.jpg" data-mid="332438" border="0" /> Kindred Joda Clément &amp; Mathieu Ruhlmann Marginal Frequency http://margfreq.laminalaudio.com/2017/10/01/joda-clement-mathieu-ruhlmann-kindred/ <img width="216" height="215" width_o="216" height_o="215" src_o="https://cortex.persona.co/t/original/i/2ed257fa59b29ba5bf69c86af035d39b9bab5b79f82ba485df1cbf46cd8665e2/984ftarri.jpg" data-mid="332439" border="0" /> Quintets: Berlin, San Diego Taku Sugimoto Ftarri/Meena-984 http://www.ftarri.com/meenna/984/index.html <img width="216" height="216" width_o="216" height_o="216" src_o="https://cortex.persona.co/t/original/i/7354f0ab80a609d666ad0f24e988a64b301ca4dea0fee29b095e62746bbd73a1/01-Community-sleeve-front-2-500x500.jpg" data-mid="332444" border="0" />CommunityGraham LambkinKye <img width="219" height="219" width_o="219" height_o="219" src_o="https://cortex.persona.co/t/original/i/516d1d4d62ff0e29bddb1e9fdb3949124711ec3cca590866a426d6909df11224/eMEGO144_front-700x700.jpg" data-mid="332441" border="0" /> Sagittarian Domain Oren Ambarchi Editions Mego http://editionsmego.com/release/eMEGO-144 <img width="223" height="223" width_o="223" height_o="223" src_o="https://cortex.persona.co/t/original/i/d8dea3a35b39c76a51bafcd4e64d521fd34fcbaf95c389b0c6d48bd9125b55bd/francispicture.jpg" data-mid="332442" border="0" />Tenth Volume of Maps Francis Plagne Lost and Lonesome https://lostandlonesome.bandcamp.com/album/tenth-volume-of-maps Back to Home P S RELEASES Aunes Judith Hamann Shelter Press Judith Hamann 4.12.22(live at cafe oto) otoroku digital A COINCIDENCE IS PERFECT, INTIMATE ATTUNEMENT Marja Ahti and... http://judith-hamann.com/News Tue, 28 Nov 2017 19:02:36 +0000 Judith Hamann 233235 NEWSN.B. THIS PAGE MAY VARY IN UP-TO-DATE-NESS 2025-----------------MARCH 17 So pleased to announce the release of my latest solo record ‘Aunes’ on Shelter PressWith beautiful cover art by Wilder Alison https://judithhamann.bandcamp.com/album/aunes <img width="850" height="850" width_o="850" height_o="850" src_o="https://cortex.persona.co/t/original/i/0a905934ce6f2bb32832d9a7b410633d6a121f82ca48b001b42f2bc23932d3d1/aunes-front-cover.jpg" data-mid="1435952" border="0" /> Aunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country and from material to material. Unlike the platinum metre bar deposited in the National Archives after the Revolution as an immovable standard, an aune of silk differed from an aune of linen: the measure could not be separated from the material. In much the same way, in these six pieces—which Hamann thinks of as ‘songs’—formal aspects such as tuning, pacing, melodic shape and timbre are not abstractions applied universally to musical material but are inextricable from the instruments and sounds used, even from the places and communities in which the music was made.Audible location sound embeds the music in its place of making, as in the delicate duet for church organ and wordless singing ‘schloss, night’, where shuffles and cluttering in the reverberant church space form a phantom accompaniment, gradually displaced by a uneasy shimmer of wavering tones from half-opened organ stops. ‘Casa Di Riposo, Gesu’ Redentore’ documents a walk up a hill to an outdoor mass in Chiusure, layering voices near and far with footsteps, insects and other incidental sounds. Like in the work of Moniek Darge or Luc Ferrari, location recordings are folded on themselves in space and time, their documentary function dislocated to dreamlike effect. On other pieces, it is the emphatic presence of the performing body that grounds the music, whether in the intimate fragility of Hamann’s softly sung and hummed vocal tones or the clothing that rustles across a microphone on the opening ‘by the line’. The idea of a music inextricable from its material conditions is perhaps most strikingly communicated on the album’s briefest piece ‘bruststärke (lung song)’, composed from layered whistling recorded while Hamann suffered through an asthma flare up, the results halfway between field recordings of an imaginary aviary and the audiopoems of Henri Chopin.More than any of Hamann’s previous solo works, a strong melodic sensibility runs through Aunes, even when, like on ‘seventeen fabrics of measure’, the music hangs together by the merest thread. At other points, Hamann’s love of pop music is more obvious: the rich synth harmonies of ‘by the line’ could almost be a melting fragment of a backing track from Hounds of Love. The expansive closing piece ‘neither from nor toward’ exemplifies the highly personal musical language that Hamann has developed in recent years through constant solo performance (and a rigorous discipline of instrumental practice), pairing two overdubbed voices with the boundless depth and harmonic richness of just-intoned cello notes, calling up Ockegham or Linda Caitlin Smith in its elegiac slow motion arcs. Hamann’s most personal work yet, Aunes arrives in a striking sleeve reproducing a section of a painting made from sewn pieces of dyed wool by Wilder Alison, a friend and fellow resident at Akademie Schloss Solitude, one of the temporary homes where much of this music was recorded. All music by Judith HamannMixed by Joe TaliaMastered by Stephan MathieuArtwork by Wilder AlisonDesigned by Bartolomé Sanson 2024-----------------MARCH 21 Some documentation of my GRM/Reimagine Europe commissioned work for cello and tape is up online.&nbsp; 2023------------------JUNE 22 In Australia to perform for Liquid Architecture and this very generous and in depth profile/portrait piece by the amazing Amy Cimini just went up on their Disclaimer journal &lt;3<img width="2018" height="926" width_o="2018" height_o="926" src_o="https://cortex.persona.co/t/original/i/4882fe08a24535a7ac63cf6dd908097df217fa6c7116a7743804c1be96f505b2/Screen-Shot-2023-08-23-at-6.04.59-pm.png" data-mid="1310258" border="0" />https://disclaimer.org.au/contents/judith-hamann-s-spectral-ministration-hums-shakes-saws-and-other-sounds Show info:&nbsp;https://liquidarchitecture.org.au/events/la-presents-robbie-avenaim-alan-licht-and-judith-hamann JUNE 7 This little live release just came out via the cafe oto in house digital arm of otoroku. Thanks so much to Oli and everyone at oto who was part of this! Cover drawing by Amanda Chisholm. Write up and links etc. below... https://www.cafeoto.co.uk/shop/judith-hamann-41222/ <img width="1800" height="1800" width_o="1800" height_o="1800" src_o="https://cortex.persona.co/t/original/i/fd582338fa579efbda0b9c6084facb38b9ddcd4fd0c98620a2cccb7637361fd3/170-Judith-Hamann-5.jpeg" data-mid="1310260" border="0" />“Thrilled to present a very special recording from the great Australian cellist and composer, Judith Hamann, whose work encompasses performance, improvisation, electro-acoustic composition, site specific generative work, and micro-tonal systems in their creative practice. For this set, recorded at OTO in December 2022, Judith draws from process-based materials to do with humming and shaking, and from the start there is an immediate symbiosis between voice and body, body and instrument, with the sense that the cello is not so much being played as acting as extension of the body itself. In the opening section, Judith seemingly crafts a one-person duet between voice and cello; a simultaneous call-and-response where the relationship between the caller and responder is ever fluid and shifting. There's a generosity here in the unselfconscious intimacy of the playing, inviting the audience to witness what at first seems to be as much personal ritual as public performance. The wordless vocalisations and bowed tones circle and weave around each other, as open and ethereal as gossamer threads in sunlight. These threads hold weight, however, and as the hummed notes fall away a greater density starts to build upon the strings; harmonics and overtones pulsing in unison as shifting long notes gradually curl and fret underneath, with clusters of notes emerging and submerging with a restless momentum. Judith dextrously combines a richly evocative, ever-evolving tonality with a lightness of touch that doesn't so much belie the impressive technique displayed across both hands, as render it moot; virtuosity is fully evident here but virtuosity is not the point. As the intricately woven tones gradually fragment and pull apart in the final few moments of the set, there is a palpable sense that the space of the room has subtly shifted, through a sound as weightless as the air, and as full of life.” Recorded by Billy SteigerMixed and mastered by Oli BarrettCover illustration by Amanda Chisholm MAY 15 Terrible at updates lately but coming up soon ✨✨✨ <img width="3508" height="4967" width_o="3508" height_o="4967" src_o="https://cortex.persona.co/t/original/i/a5451c9dadb8d2c37ba1129b586ca825b6fe8d3f22fbe68d26b397d37e863d89/AAB_Plakat-Tashi-Wada_230420_large.png" data-mid="1287257" border="0" /> FEBRUARY 18Upcoming dates for the US and a v special festival in Sweden &lt;3 <img width="1080" height="1080" width_o="1080" height_o="1080" src_o="https://cortex.persona.co/t/original/i/02d4d730c3732c655eecb366abfcab34501967e013331e81b2b0b04687d3789e/UPCOMING-1.png" data-mid="1287259" border="0" /> 2022------------------ DECEMBER 6Hello, I am a little late making a post about this, but the latest&nbsp;Marja Ahti and I made is now out in the world. You can find it here:http://www.secondeditions.org/catalog/011&nbsp; Or order from usual suspects anost, soundohm, boomkat etc.Digital is available on Marja's bandcamp as well: https://marjaahti.bandcamp.com/.../a-coincidence-is... There's a really generous and considered editorial piece by Bradford Bailey at Soundohmhttps://www.soundohm.com/article/marja-ahti-judith-hamann And an interview Marja and I did together for Tobias Fischer you can read here: https://15questions.net/.../marja-ahti-judith.../page-1/ And a lovely early review from Brad Rose at Foxy Digitalis here: https://foxydigitalis.zone/.../marja-ahti-judith-hamann.../ OCTOBER 18 <img width="2500" height="2500" width_o="2500" height_o="2500" src_o="https://cortex.persona.co/t/original/i/026952580cfc524f2cd3ba354dabf892ff5ca0d6adc3a87de6c2eab235070905/SE011-back.jpg" data-mid="1232935" border="0" />Marja Ahti and I made a record together for the excellent Second Editions and it’s now available for preorder at Anost, releases on Nov 25. I’m so grateful for Marja’s sounds and thinking in my life and happy this is going out into the world. Full spiel below:Second Editions presents a new collaborative work by Marja Ahti and Judith Hamann. After their distinguished duet ‘Portals’ for Cafe Oto's Takuroku label, ‘A coincidence is perfect, intimate attunement’ is a wonderful sophomore collaborative work pieced together over two years of changing seasons, ideas, moods, and feelings. The release is formed from a shifting field of sound correspondence that pivots on moments of coincidence, of a tuning in. What are we opening ourselves to when we tune in to sound? How can one be truly open to a sound? How can the activity of recording move beyond notions of capture and release into more generative frames? Rather than a tool purposed for preservation or ‘conservation’ of memory, of time and place, can recording sound instead form new vibrant or vibratory spaces of attunement? ‘A coincidence..’ is an LP length composition of multiple interlocking parts, created through exchange, alignment, unpredictability: the title borrowed from poet Fanny Howe falling right into place, a flock of birds in flight, pitches matched and moved across different geographies and temporal frames. Marja &amp; Judith have created an intuitive, lyrical longform piece that considers the idea of attunement itself as, in some sense, the smallest form of measure or denominator connecting their respective practices: across field recording, just intonation, electronic sonorities and instrumental bodies. ‘A coincidence..’ reflects a sense of a willingness to tune in to impulses given, or gifted to the other, a position that embraces an intimate synchronicity. Recordings &amp; correspondances between 2020-2022. Mixed by Marja Ahti &amp; Judith Hamann. Mastered and cut by Anne Taegert at Dubplates &amp; Mastering in Berlin, 2022. Title quotation from Night Philosophy by Fanny Howe, Divided Publishing, 2020. Photogrpahy by Joshua Bonnetta. Thanks to Nino Bulling, Niko-Matti Ahti and leo. The work was supported by Kone Foundation, Akademie Schloss Solitude and NEUSTART KULTUR. OCTOBER 12Yann Leblanc invited me to do my first interview published in French, and it’s a really generous profile piece, published in Lionel Marchetti’s online journal&nbsp; La Revue des Ressources. Thanks so much to Yann for the invitation &lt;3 Link is here:&nbsp;https://www.larevuedesressources.org/Libre-d-etre-et-de-devenir.html AUGUST 13 In the US for a tiny visit to present some new work, and new to me work with Sarah Hennies. Performing as part of Sarah and Mara Baldwins installation/performance project at the Shaker Heritage Society, and then Sarah’s ‘The Reinvention of Romance’ at the Bemis Center in Omaha Nebraska. More details/info on the schedule page ✨ <img width="1000" height="1000" width_o="1000" height_o="1000" src_o="https://cortex.persona.co/t/original/i/0218f9e6451ab298c0ade2375bac7ab8f6434f1a50c55fc7c35e212309bb45ea/bemis-center.jpeg" data-mid="1215085" border="0" /> JUNE 16 I’ve recently arrived at the Amant Siena residency program where I’ll be spending the summer living and working. It’s HOT, but incredibly beautiful. Really looking forward to diving into some deeper work here after a hectic past few months. More about it here:https://www.amant.org/residencies/siena <img width="960" height="1280" width_o="960" height_o="1280" src_o="https://cortex.persona.co/t/original/i/3e38f5d29bdcf61884f6ade0e2e9e43a9917ddb6235abf9635dd28fb1d60a027/IMG_1638.jpeg" data-mid="1207599" border="0" /> MAY 21‘Mit Glück hat es nichts zu tun’ by Anike Joyce&nbsp; <img width="2000" height="3000" width_o="2000" height_o="3000" src_o="https://cortex.persona.co/t/original/i/3db57c8d38e9ad995b6b5044107307fa8b95b6a4af61883bdcae28c59cb34fb9/anike-image.jpeg" data-mid="1193347" border="0" />This evening Anike Joyce Sadiq’s exhibition ‘Mit Glück hat es nichts zu tun‘ opens at Kunstlerhaus Stuttgart. I worked with Anike on this show and made a four channel sound installation repsonding to the scaffolding installation that ended up forming a key component of the show. It’s been a lot! But such a pleasure to be part of this unfoldind and growing collaborative practice with Anike. We will also do a performance together for the opening tonight at 20:00. More about the exhibition and Anike’s work here:https://kuenstlerhaus.de/en/inhalt/10635/ FEBRUARY 27 BLANK FORMS RESIDENCY - MARCH 3-5 <img width="1182" height="704" width_o="1182" height_o="704" src_o="https://cortex.persona.co/t/original/i/d5488e1ff5877dbc627065a08f8a9fedbe6721da5b708f995c31ac75284686b2/Screen-Shot-2022-02-27-at-7.50.32-pm.png" data-mid="1167165" border="0" />Looks like the numbers are traveling ok (touch wood!), so I'll be in residence at Blank Forms soon, performing three concerts on March 3, 4 and 5. It's been soooo long since I visited and I am so excited to be coming.&nbsp; The three programs are: March 3: Reading by the amazing Nora Fulton + Sarah Hennies piece for humming cellist and electronics, 'Loss.'https://blankforms.org/events/judith-hamann-nora-fulton/ March 4: A Coffin Spray (for Jeff) + a new thing I made in response to the Jerry Hunt exhibition I'll be performing in (that I am quite nervous about).https://blankforms.org/events/judith-hamann-2/ March 5: Shaking Studies + Humming Suite (all the "hits")https://blankforms.org/events/judith-hamann/ All shows are masked and vaxxed pls. The venue has stairs, but please let me know if you have any access needs and I'll do what I can! xoxo <img width="1192" height="700" width_o="1192" height_o="700" src_o="https://cortex.persona.co/t/original/i/7380e63dc6df419dc1c419bdf49058999570cd487326a4a01acd0e6570bc4dc6/Screen-Shot-2022-02-27-at-7.51.10-pm.png" data-mid="1167166" border="0" /> FEBRUARY 1<img width="1000" height="1410" width_o="1000" height_o="1410" src_o="https://cortex.persona.co/t/original/i/eb9ce6190ae53ca7f88f07c2a41135380c12c26674d5c7bd37c2e7a0f8596d2f/ccno2_plakat_web_part5.jpeg" data-mid="1159552" border="0" />This week James Rushford and I are taking our new co-composed piece 'Midmeste' for cello and portative organ for a spin.Feb 3 - Wabe, Berlinpart of Craving Coincidence, curated by Marja Ahtiin person concert 2G+https://www.digitalinberlin.de/marja-ahti-guests-cc-no-2.../Feb 6 - Theaterhaus, Stuttgartpart of ECLAT Festival Neue Musikhybrid concert, in person 2G+ or streamed online via here:https://www.eclat.org/en/konzert/midmeste/The making of this piece was supported by and produced in partnership with Akademie Schloss Solitude and ECLAT Festival Stuttgart&nbsp; JANUARY 3<img width="1140" height="602" width_o="1140" height_o="602" src_o="https://cortex.persona.co/t/original/i/1da4562f89558ee514e851ff6e0d30d2899c3851ef1705e8a3b7dce74f53d92c/Screen-Shot-2022-01-03-at-3.32.30-pm.png" data-mid="1149982" border="0" /> Keith Prosk invited me to talk with him about my work for the excellent Harmonic Series newsletter. Even though I am very rambly and at times plain old inarticulate when I talk, I am so grateful for the amount of thought and listening and thinking that went into this interview.The interview is up here &nbsp; This edition also feat. notation by Raven Chacon, and the team's trademark great music writing in reviews, including a great take on the whole 'list' genre. It really is one of the loveliest corners of online writing about this kind of music around, so completely aside from the Judith content, you should have a gander. 2021------------------- DECEMBER 10 New duo cassette with Joshua Bonnetta now available for preorder &lt;3 <img width="2250" height="3840" width_o="2250" height_o="3840" src_o="https://cortex.persona.co/t/original/i/93c8c5e6be89cab701f15b0f36434f39f72cfff034e5b0eefe912d07b9ab1ca3/Canti-B-H-Final-cover.jpg" data-mid="1145160" border="0" /> Joshua Bonnetta &amp; Judith Hamann "RE-RECORDER"C30 - Canto 36This release initiates a series of propositions between Bonnetta and Hamann exploring film sound design as a relation of anecdotal music. Each side is composed of location recordings, musical fragments, foley, in-studio recordings, outtakes, and sketches gleaned from various re-recording processes. In the absence of images, these sound propositions reflect on the possibilities of a particular form of ‘aural cinema,’ of fictional spaces constructed from the reordering and recasting of documentary and documentation.Bonnetta: Contact mics, electronics, tape, synth, &amp; field recordingsIthaca &amp; NYC. 2019-21Hamann: Cello, Voice, SynthBerlin. 2021 https://cantimagnetici.bandcamp.com/album/re-recorder DECEMBER 1 En route to Oslo to perform at the new Munch Museet with the amazing Nora Fulton!https://www.munchmuseet.no/hva-skjer-arkiv/judith-hamann/ Many thanks to Blank Forms and all at MUNCH for putting this together. After that, on to Athens to join this wild line up:https://www.onassis.org/whats-on/tectonics-athens-21?fbclid=IwAR268k-F6CR0sS0vmvod14czB6Jblet9fPH_ifNYX7D1NCJMwG_rDeid938 <img width="1080" height="1350" width_o="1080" height_o="1350" src_o="https://cortex.persona.co/t/original/i/fe2f2f01b6ed3685ff80c4e683248c33aa08f0f509e6060f433c0ecd017b94ea/tectonics-athens.jpeg" data-mid="1145162" border="0" /> NOVEMBER 1 I’ve just relocated to start a residency at the Akademie Schloss Solitude in Stuttgart, but I’ll be back a little in Berlin to say hi this month, doing the following nice things:&nbsp;07/11 Nancy Mounir: “Nozhet El Nofous (Those who were not invited)”Listening session for Berlin Jazz Festival with Maurice Louca and Uygur VuralSilent Green, Berlinhttps://www.berlinerfestspiele.de/en/berliner-festspiele/programm/bfs-gesamtprogramm/programmdetail_358017.html13/11 Raed Yassin Phantom Orchestra (solo set)Morphine Raum, Köpenicker Str. 147 Berlinhttps://raedyassin.info/phantom-orchestra 14/11 Werner Dafeldecker ‘Neural’ peformanceLiebig 12, Berlinhttp://www.liebig12.net/14-11dafeldecker-capece-hamann-heilbronn/?fbclid=IwAR1Ss6gpDGFkykE8ERRxv9xsea_YN0jUJBE9lfJkAtcCidiz7Kmn1RoVNoI OCTOBER 20 Looking forward to beaming some cello through Anthea Caddy’s parabols at the HKW this week at The Sound of Distancehttps://www.hkw.de/en/programm/projekte/2021/the_sound_of_distance/start.php <img width="752" height="1150" width_o="752" height_o="1150" src_o="https://cortex.persona.co/t/original/i/518ee93c42da0d2e314ee5fdc2e942878a2938b80c8ff1bc3b88367e7f1d6dc8/Screen-Shot-2021-12-13-at-2.15.17-pm.png" data-mid="1145159" border="0" /> OCTOBER 3 In Albi, France to made my debut as a “singer” (omg) for Riverrun festival and the Harmonic Space Orchestra’s presentation of Marc Sabat’s Gioseffo Zarlino:https://www.gmea.net/evenement/gioseffo-zarlino SEPTEMBER 1 SOME SHOWS <img width="1080" height="1080" width_o="1080" height_o="1080" src_o="https://cortex.persona.co/t/original/i/630873c34013180bc8e079003076711c92356ad4569269fdf6822f6526c699da/visitantechamber.png" data-mid="1123719" border="0" /> Who would have thought this sort of schedule might ever happen again?! Not me! Some upcoming things this month: September 3 Cologne Jazz Weekperforming with Stefan Schoenegg’s ENSOAlte Feuerwache, CologneSeptember 8 - 11 Ambient FestivalPerforming with Alvin Lucier’s Ever Present OrchestraSt Apostlen, Cologne, and Zionkirche, Berlinhttps://ambient-festival.com/ever-present-orchestra/ September 18 AntechamberLedreborg Slot (DK) https://instagram.com/visitantechamberSeptember 24 SPACE EXPANDING: KontraklangPerforming Catherine Lamb’s String Quartet no. 1Villa Elisabeth, Berlinhttps://kontraklang.de/concert/space-expanding/ September 30Wunderkammer FestivalSolo setcc Strombeekhttps://www.ccstrombeek.be/podium/wunderkammer <img width="542" height="535" width_o="542" height_o="535" src_o="https://cortex.persona.co/t/original/i/2b2318f0f914b73f657a2f1e25de2ebd2a8879c44a91a75bd866c9b4d0a3bca1/IMG_7731.jpg" data-mid="1123720" border="0" /> JULY 23A COFFIN SPRAY (FOR JEFF) OUT TODAY ON SUPERPANG <img width="1400" height="1400" width_o="1400" height_o="1400" src_o="https://cortex.persona.co/t/original/i/c3f6b7458cce8cb9395600e7bc808ed99a9d88edd75c6ee814ba2c7ee2f324f8/image0.jpeg" data-mid="1107629" border="0" />Hello, today a new piece goes out into the world via Italian label SUPERPANG. It’s called a ‘A Coffin Spray (for Jeff)’ and you can find it here: https://superpang.bandcamp.com/album/a-coffin-spray My friend Jeff died on a winter blue moon in the midst of Germany’s eight month lockdown. Another friend whose loss we had to reckon with in covid sensitive shifts. On the day of decorating his coffin this piece arrived that afternoon like a gift almost fully formed, moving through an intuitive uncovering of intervals in a responsive unfolding. In thinking of a mentor's adage in times of crisis, "just one breath in front of the other," here bow, breath, and entangled bodies of instrument/performer perform a sort of reiterative grounding, a leaning into material solidity or transparency of tone, following the path carved out by the sonorities of the cello: its whirring, humming and spectra; momentum and flux; moving from a grounding, into the air. Jeff was a freelance sound designer and artist, and like so many of us who choose this way of living (oh, the precariousness) had no financial buffering post departure. We are trying to raise funds to hold a proper memorial service and cover his crematorium plot costs, so as this gift from/to Jeff goes out into the world, my bandcamp revenue will go towards this fund, in the hope we can finally gather together to send off and hold collective space for our dapper, hilarious, oh-so-dry-witted, james bond-like, plane flying, whisky (and all things good really) connoisseur, brilliant brained, generous, and much missed, trench friend. Audio midwifery by, and with deep thanks as always to, Alan Jones. p.s.It feels very strange to be releasing this music today, as another close community steps into the space of shock and grief of losing Peter Rehberg. I just saw him on Sunday. It’s very hard to process. My heart is breaking for people I love so much including his partner Laura, his close friends, his musical/creative family. I wish the act of a hug was a simpler proposition right now. It’s too soon for these thoughts, I know, I’m sorry if this comes out all wrong, but I wanted to try and say something about this particular piece as something that emerged from within the folds of grief, that unpredictable creature, but that in this specific space there was something generative, and loving, something anchoring, something to breathe into, lean into. It doesn’t feel like it right now, I know, but it’s not only a heavy space, the space of grieving. This piece is not coming from a weighty darkness, but from/into an opening, something connective, a kind of movement, a gesture towards the motion of change. I’m sorry, I am sure this is muddled and strange, and not giving either loss the space they deserve.&nbsp; I’m not sure if this helps or hinders, but I suppose, perhaps it might mean something that it’s there. JULY 9TRACE CONSTELLATIONS OPENING DATE tl;dr I have an installation thing opening July 17th, come say hello and question my life choices with me! TRACE CONSTELLATIONS Judith Hamann and the Alte Münze courtyard. As part of a series curated by Patrick Klingenschmitt: ‘Sound on Demand’ Raum on Demand - Alte Münze courtyard Molkenmarkt 2, 10179 Berlin July 17, 19:00 https://www.instagram.com/raumondemand/ This installation will be viewed/heard in an outdoor open air environment, access to the courtyard is step free. I'm honestly not sure if anything is actually going to work/sound/look in any intelligible way but I guess we'll see...?&nbsp; <img width="960" height="1280" width_o="960" height_o="1280" src_o="https://cortex.persona.co/t/original/i/4a44fd668f86350222fb189a01b3667e01fb118b04dd7ec0bafbc00f1d751868/IMG_7003.jpg" data-mid="1105111" border="0" /> And now for a classic me accidental essay: ‘Trace Constellations’ is a kind of sound installation as slippage, a collapsed, imaginary surface of the sonic life of the Alte Münze courtyard and the interior resonance of Raum on Demand. I’m thinking of this as a ‘constellation’ because that kind of approach to mapping seems to hold within it the idea of multiple nodes of inquiry sharing a space with inferences and connections able to be traced into different shapes and relation. That’s another way of saying: it’s a bunch of cats taped together really, a weird, wide ranging study of the space via: dreamed leaf creatures, etymological trails, feedback, breath and bronchioles and rhizomes, field recordings from the listening position of plants that no longer exist, traced histories of bamboo in colonial Europe and shopping mall replications, breath, ye olde text to voice cliches, humming, large scale graphite drawings, multiple temporal metabolisms, institutional aspirations of mainstream German jazz via its so-called ‘emancipation’ from Blackness and accountability, weather, coins, haunts, and of course, there’s some cello tracings in there too. - During the course of its making, this piece somehow developed its own logics: primarily, that of an inquiry into what forms might emerge when something remains without its originary context; without its body or frame, when it slips outside its own temporal scaffolding. It moves towards how we might configure remainders, traces, parts, into a rendering of a new whole, how we might recast losses, ghosts, and artefacts into their own dimensions (in terms of measurements, spaces, or dwelling places). This refers not only to things past, but the reaching for, the tending toward future iterations, or horizons. This courtyard is, in many ways a witness to the slow extinctions/extinguishing of cultural imaginaries in progress, from its past life as a coin mint ‘outside’ of capitalism in the DDR, to a future jazz centre without Black leadership or connection to local community, without reparations. This work takes place in an attempt at a sort of blurring; of weather, uncanny layers, days and spaces collapsed then replayed, hallucinations, visions and fragments, glimpses of alternate leaky versions of now. Using audio material generated by the Raum and Hof themselves in the form of feedback and field recordings, layered with interpretations and contributions undertaken away from the space, this work lives in a porous position, in-between document and fiction. - The Alte Münze courtyard and I haunted each other for a little while, leaving traces to follow in our respective absences. As much of me leaked into this space really, as it in turn leaked into my own; a courtyard nested inside my own apartment, inside a quarantine, dragging along with me as far as summer solstice permanent daylight in the north of Norway, embroidering and burnishing a ‘place, out of place.’ Povinelli asks: what if we reconsider the limits of ourselves, our bodies, how we mark out the edges of us, where we might end and the world begins, ideas of limit, contagion and entanglement. Humans often think of our skin as one limit, one sort of edge, but she asks us to consider "Where is the human body if is viewed from the lung?" Breathing puts us in intimate relation with other systems of respiration; a leaf, green plants, bacteria, animals, microbes; it forms a porous exchange with multiple systems, eco-systems, scales, cycles and spaces. In living, we cannot avoid taking in the world, we cannot avoid breathing ourselves back out into it. This piece is intended to be something that breathes; that allows for multiple simultaneous spaces emerging, disappearing, opening, focusing, interrupting. Something that might sneak up on you, that you may or may not really notice, depending on your timing, depending on your luck. JUNE 21 Berlin shows This weekend I am playing not one, but two, in person, live concerts in Berlin&nbsp;(!!) June 26 Harmonic Space Orchestra - Harmony, Emptiness, SpaceWorks by Catherine Lamb, Chiyoko Szlavnics, and Marc Sabat.Konzerthaus Kleiner Saal, Berlin https://www.konzerthaus.de/.../freiraum-harmonic.../6920 June 27 Solo set for Music for the Cosmos (Sacred Realism)Petersburg Art Space, Berlin https://www.facebook.com/events/562149308109672?ref=newsfeedWILD <img width="1080" height="1350" width_o="1080" height_o="1350" src_o="https://cortex.persona.co/t/original/i/dcfa90a891506c4f80b7325418e32dba098854c495420c7207ba6333282f0030/KH_Instagram_all_info_final_final.jpg" data-mid="1102504" border="0" /> JUNE 2 Best of Bandcamp, May 2021Such a lovely surprise that this piece is on best of bandcamp experimental this month. Thanks so much to Longform Editions and Alan Jones for your support in bringing this piece into the world. Thanks to Marc Masters for listening.https://daily.bandcamp.com/.../the-best-experimental...Some days I still think that the accompanying essay is comparable/a necessary compliment/perhaps even stronger in some ways (?) to the sounds, but I also like that they exist alongside each other, companion species. <img width="1416" height="1092" width_o="1416" height_o="1092" src_o="https://cortex.persona.co/t/original/i/78c2008acbbb19ff79da1a018984e56521bd2dc197d750ef79d2f741a6c73fd5/best-of-bandcamp-review.jpeg" data-mid="1099967" border="0" /> APRIL 14Longform Editions - Hinterhof Hello, I made a piece for Longform Editions which is out today. I feel incredibly lucky to be a part of this edition's cohort of artists: Angel Bat Dawid, r beny, and Theodore Cale Schafer and their beautiful pieces. I want to say a big thank you to Longform Editions whose approach to bringing these new durational works in the world is so wonderful, and to Alan F Jones (Laminal Audio), as well as the friends whose voices threaded their way into this piece.&nbsp;<img width="216" height="216" width_o="216" height_o="216" src_o="https://cortex.persona.co/t/original/i/4765be41fc0d6bd9777486c9ae091c20c2c7abc4b33d2b0594cece0965c4c6f8/longfrm-smaller.jpg" data-mid="1078393" border="0" />As is my tendency at the moment, I accidentally wrote an “essay” about the piece and its process, and also answered some questions about listening from the LE folks. Maybe it says something if you need a lot of words to explain a piece? Maybe that something is not always a negative shading, perhaps it's nice sometimes to have something brought alive in a different way through text and context? I'm not sure honestly, but you can read ALL about it over here: https://longformeditions.bandcamp.com/track/hinterhofor here: https://longformeditions.com/editions/hinterhof (excerpt below) "What does it enact to share a quotidian sonic space, to hear the same reflections, frequencies, and contours, even if mediated by windows and floors, ceilings and walls? More specifically to this time perhaps, what does it do or comment on in relation to questions of isolation? Can you consider yourself part of a community that is framed only by a shared listening experience? Is it possible to feel a sense of solidarity or belonging despite our atomised apartment living, via what we hear? I know that this space for listening has affected the shape and the weight of my own loneliness this winter lockdown, in the way one might bounce its heft on your palm like a stone, feeling its material loading, its density, contours, and textures. I also think about the kinds of poverty and density of living which this house would have once held. The listening space of this hinterhof was designed for a particular class and economic strata of people, so in some ways, we are all listening through an old instrument: a sonic space whose resonance is defined via a residual architecture of inequality, intended for a very different audience." APRIL 5Goose Apparitions for Audiograft Festival 2021 <img width="1280" height="824" width_o="1280" height_o="824" src_o="https://cortex.persona.co/t/original/i/8ae5b41c47693ce4eb3eefd1e738ac833fba896f4af9fadd4bc97e35f5582ce1/flight-path-1.jpg" data-mid="1073387" border="0" /> Flight Path No.1, 2021 I'll be showing some of my works-in-progress research on 'Goose Apparitions' for Audiograft Festival's online 2021 edition. I'm in such beautiful company in this festival, alongside friends and people whose work I adore including Sally Ann McIntyre, claire rousay, Clara de Asís, Nisha Ramayya, Lucía Hinojosa Gaxiola, Tomoko Sauvage, a.hop collective feat Bonnie Jones, Ryoko Akama, Anne F. Jacques and many more superstars, and even more wonderful things! Thank you so much to Patrick Farmer for inviting me to be a part of this and for encouraging me to me let my childhood bird enthusiast self run completely wild. LINK:&nbsp;http://www.audiograft.co.uk/ Official text:&nbsp;Judith presents a collection of embryonic explorations falling under the broader umbrella of 'goose studies,' collating recent writing, performing, and thinking about geese. Drawing on research begun during a three month period sharing an island in Finland with a host of barnacle geese last year, thinking-with barnacle geese calls into question how we construct, and in turn how we might dissolve or alter how we perceive categories, marvels, and time. Here, Judith collects together work-in-progress fragments, responding to geese in all their simultaneous holding together of gaggle and skein, tangled and clear, mirabilia and mundane, they become (and in turn Judith also becomes)&nbsp;apparition, mark makers, maps, haunts. <img width="1280" height="853" width_o="1280" height_o="853" src_o="https://cortex.persona.co/t/original/i/eb865987336dabd1b2cf3cd79f433988a15c202f04949ad616c1b4719cd663c1/skein-map1.jpg" data-mid="1073384" border="0" />Skein Map No.1, 2021Most of this work is in contexts/forms that I'm not sure I am at all competent in: drawings, writing, video, speaking. I also tend to feel super uncomfortable showing things that are 'unfinished,' and I am&nbsp; wary of being overly naive about this research and the forms it has taken. In otherwords, I feel *quite* nervous about it really, but if you'd like to listen to/read/view a constellation of things about skeins and labyrinths, haunting and trace, flight paths and satellites, agency, horizons, tendencies and desires, contradictory animals, and barnacle geese as a potential way of cutting across historically positivist European systems of scientific thinking about the distinction between life and non-life, then have a look xo February 15 Days Collapse at Barents SpektakelThese pieces will be presented in an installation for this magical festival on the border of Norway and Russia. I’m wishing so much I could be there in person! <img width="1468" height="254" width_o="1468" height_o="254" src_o="https://cortex.persona.co/t/original/i/9438c65b9669eeccb32d79322546ccff6838e06097b0fb836825cf45dd29b657/Screen-Shot-2021-03-05-at-11.57.55-am.png" data-mid="1061655" border="0" /> More info about the wonderful company these pieces are in can be found here:https://www.barentsspektakel.no/lydstua/ 2020------------------December 18Free Jazz CollectiveI did a really lovely interview with Fotis and there were also some nice reviews, you can find them here: interview - humming - shaking November 18Days Collapse This last solo release of the year is officially out in the world &lt;3 There a detailed interview and more information about the record over here:http://www.anothertimbre.com/judithhamann.html Immense thanks to Simon Reynell at Another Timbre for asking me to do this ‘quarantine commission’ for Another Timbre, to Alan F. Jones at Laminal Audio for your detailed and generous work midwifing this record, to Liene Pavlovska for your beautiful painting of Suomenlinna, HIAP for hosting me through the strange spring, and Creative Victoria. <img width="525" height="480" width_o="525" height_o="480" src_o="https://cortex.persona.co/t/original/i/cf3aa3096eae6a9050fc8e7e392bb7252476d65629cd48b0800be899fa2a82d6/at165-releases-page-size.jpg" data-mid="1013752" border="0" /> October 15 Press Look, I’m very bad at these things generally, but it seems there’s a little flurry of kind and lovely things emerging in the last 24 hours and so I thought it would be worth mentioning them here. <img width="640" height="456" width_o="640" height_o="456" src_o="https://cortex.persona.co/t/original/i/8ca27f6f09d3849b774f80bc02bff52a7ddc7dc655fd95191936ee661bc8cdad/IMG_3802.jpg" data-mid="994223" border="0" /> First of all, the amazing Sarah Hennies is the subject of a beautifully put together article in the New York Times by Steve Smith. He was kind enough to ask me a little about Sarah’s piece for cello, humming, and electronics ‘Loss’ which will be part of my forthcoming Blank Forms release, and there’s even a little quote from me in the article. You can find it here:&nbsp; https://www.nytimes.com/2020/10/15/arts/music/sarah-hennies-composer.html Also, Lousie Gray wrote a lovely long review of all three solo records which have emerged in the last short while for the Wire Magazine’s November issue. Here is a snippet of the start and end so you also get to see that Sarah and I are review neighbours this month (cute): <img width="522" height="656" width_o="522" height_o="656" src_o="https://cortex.persona.co/t/original/i/8b60e4e54c2d229cb27e0affcc57137c3560c87df7c2463b2aeb45d91be8aa31/wire-snippet.jpg" data-mid="994224" border="0" /> ANNND, Vanessa Ague was very patient with me and talked to me a bit about life and all three solo records for Tone Glow, whose interviews are always so good I felt like I let the team down by being so boring! But you can read that here:&nbsp;https://toneglow.substack.com/p/035-judith-hamann Thanks to Black Truffle and Blank Forms for all your support in putting these records out and I just hope people who make the time to listen get something from them. I feel like that ‘DOES ANYONE NEED SOME EXPERIMENTAL MUSIC’ meme right now. October 13 Harmonic Space Orchestra<img width="2310" height="1264" width_o="2310" height_o="1264" src_o="https://cortex.persona.co/t/original/i/71a58932b8821658abdca459a87d3f11c6e2f948fea297989a38a09ccbfa2acc/Screen-Shot-2020-10-15-at-1.56.38-pm.png" data-mid="994214" border="0" /> In many ways, as the numbers climb in Berlin and restrictions tighten around us, it feels like some strange miraculous thing that in a few days we will begin a week-ish long festival of just intonation and micro-tonal music here. It’s been such a rich, rewarding thing to emerge from my time in strict isolation in Finland into this group of people and sound makers, to swim around in the electricity of just tuned chords. It’s been all consuming but also a very beautiful thing. The full set of James Tenney’s Postal Pieces will be realised at the KINDL concert, and then I’ll be playing chamber music works by Chiyoko Szlavnics, Fredrik Rasten, Marc Sabat, and of course more Tenney with an incredible group of friends and performers. More about it all can be found over here: https://www.harmonicspace.org/&nbsp; August 19BLANK FORMS SOLO RELEASES Shaking Studies LP, Music for Cello and Humming CD <img width="1280" height="1273" width_o="1280" height_o="1273" src_o="https://cortex.persona.co/t/original/i/a2f7e18fd54c929cbeb22fe10f54c2c87f13b01296c7279eab0058a07ee83c06/Music-for-Cello-and-Humming-CD-front-cover-1.jpg" data-mid="971173" border="0" />Hello, this is a post about the release of these records, announced for preorder today on Blank Forms. They are linked, sister records under one umbrella release, documenting the work I have been focused on the past few years in my solo cello performance practice, and include Sarah Hennies substantial and magical solo for humming cellist and electronics ‘Loss’. Shaking Studies - LP Music for Cello and Humming - CD If you have seen me play solo in the past few years it was most likely material from one of these two projects: I would have either been shaking or humming. There is so much I could say about them, but I’m finding it hard to know which things it should be. I’ve dragged my feet a long time making a solo cello focused record, I think mostly because I am unsure how to make a convincing work object which documents a living, constantly shifting performance practice, which is about navigation of material between bodies in real time. This is me trying to do that, and I am still unsure if I have managed it, or if it’s even possible, but I feel like I got close. It is also a real act of vulnerability for me in many ways putting these things out in the world, because I do love this performance based work. I mean that in the sense of having a loving relationship with/to this work. We have been through a lot together. I am vulnerable and uncertain about it because it is so very close to me, it’s woven from the threads running closest to the core of the person I am when I’m playing the cello, which is perhaps the most-myself and most-not-myself I can be simultaneously. I know it’s a lot of solo Judith all at once with the other things coming out too, but the pandemic has shuffled many things around and dates and records seem to me the most innocuous casualties of its dramatic reordering. Sorry I always write too much. It really did take a village to make this happen so I want to say thank you so much to Sarah Hennies for your piece ‘Loss’, and to Anthony Pateras for ‘Down to Dust’. Immense thank you to Casey Rice and Leo Abrahams for capturing these sounds and supporting me in such profound and beautiful ways, I love you both very much. To Alan F Jones Laminal Audio and Werner Dafeldecker for your work with me on this material, you legends. Thank you to Rachel Yezbick and Karla Pringle for shaking with me over the past few years, to Jessika Kenney for all your sphymogological guidance well before I realised what I was even doing, to Nora Fulton for your beautiful notes.You can read the notes here:&nbsp;https://blankforms.org/wp-content/uploads/Liner-notes-by-Nora-Fulton.pdf Thank you to&nbsp;Patricia Leite for your paintings, Josephine Rowe for dream poem manifestations, Yvette Jackson for the magick, Samuel Ekkehardt Dunscombe for the 414, Patrick Ward and Alexander Garsden for your ears and encouragement, Oren Ambarchi and Crys Cole and Laura Siegmund for providing me with a place to live and work through the last winter, all at HIAP Suomenlinna, Gabrielle Karlsén Beretta at EMS, Alexandria Smith and Jessica C. Flores from the UC San Diego music department, Joshua Bonnetta for always cracking a lean and believing in me and for the gift of the clinking recording, to James Rushford and Charles Curtis for everything, I am so grateful. Thank you to Lawrence and all at Blank Forms for helping me realise this as recorded work and for all your support in bringing it into the world. I finished making this earlier this year in the shadow of losing a friend and mentor, and strangely now am releasing it into the world mourning another. There is so much loss folded into this work, old worn cornered kinds and some fresh aches. I was reading David Rattray’s essay on Lecomte this morning and was thinking about this line from the Metaphysics of Absence: “Rhythm is movement linked to absence……Life is a fragile hybrid pulsing, instant by instant, between being and nothingness” These records are about lots of things, but today these feel like a tangible part of it: a braiding of pulse, absence, tenderness. <img width="1280" height="1280" width_o="1280" height_o="1280" src_o="https://cortex.persona.co/t/original/i/ed7d78b4a29a0b3f9b995d2a7306e6817cc0030345ea97150083050ae03d4294/Shaking-Studies-LP-front-cover-1.jpg" data-mid="971174" border="0" /> August 8 PEAKS&nbsp; <img width="1853" height="1749" width_o="1853" height_o="1749" src_o="https://cortex.persona.co/t/original/i/c3bd46f11e0b00668e6c7dadbf61e28dc69957648e5fc28b6bd1b24437aa8068/peaks-cover.jpg" data-mid="970911" border="0" />Hello, this is the cover of my first solo electro-acoustic record 'Peaks' which is available for preorder from yesterday on Black Truffle. There’s so much to say, but mostly I want to say massive thank yous to Oren Ambarchi for all your support, and to Alan F. Jones at Laminal Audio for all your work ❤️&nbsp;I’m such a lucky Judy. Part of this record was made/recorded at Ano Syros so big thanks to Danae Stefanou and Ioannis Kotsonis and my incredible sounding paths cohort. I made this record in the evenings of my Krems residency, big thanks to Paula Linger and Jo Aichinger for hosting me there.It’s available for preorder here: https://blacktruffle.bandcamp.com/album/peaks#https://f4.bcbits.com/img/a1428452500_10.jpg https://kompakt.fm/labels/black_truffle/releaseshttps://forcedexposure.com/SearchResult.html?SearchType=Basic&amp;Type=artist&amp;Key=judith%20hamann In February 2019 I arrived at a residency in Krems, where I had a relief cry on arrival as it was the first time I'd had my own space and stopped traveling for well over a year. I was really in the heart of what I now look back on as my permanent-state-of-exhaustion phase. I had a reasonably serious work agenda there to do with cello things, lots of reading, some writing, but in the evenings I took advantage of the fact I had monitors and started noodling around with recordings I'd gathered over the years, from when I lived in San Diego, and from the complete madness of my no home tour life the past few years. This record was made in that time, quite quickly, like a flash flood and I think that I quite like that it has found its way into the world just now: now that we don't travel, we don't tour, now that I sort of live somewhere for the first time in a long time, to put out a record that was in part driven by homesickness for California and itinerant restlessness, that's making was facilitated and restricted by a limited time frame in a temporary "home." Musically this sort of started in bits and pieces with something akin to studies in ambient music/concrete cliches, trying to understand how to do and make certain things, but perhaps I am just a real sentimental pop musician at heart, because I grew to love them. It's nostalgic, I think, in the Homeric use, in the sense of the 'pain of homecoming.' June 7 Geography update I’ve arrived in Berlin after having to leave Finland. It’s a difficult time to move countries, sure, but nothing compared to the pain and grief being carried by Black folks in my former home of the United States right now. I feel this moment as a real moment of reckoning for my birth place, so-called Australia as well, which has been largely disengaged and unmoved by Blak deaths at the hands of police for a long time.&nbsp; There are so many places I would encourage peple who might be reading this to donate, to listen, to read, to learn, to stand up, to have the difficult conversations, to be the killjoy at the dinner party, to argue to defund the police and abolish prisons, to mourn, to support, to grieve publicly, to educate yourself, to do this work ev-er-y-day. I’m going to put some things here, which I will probably update over time. Now is a time for centring and lifting up Bla(c)k voices. I’ve been posting a lot of resources for white folks to get educated and keep working on my instagram, and some more wordy, petition-y stuff on my facebook, but here are some things: Bigger umbrella resources for actions/donations/bail funds/justiceUSA Black Lives Matter USA:&nbsp;https://blacklivesmatters.carrd.coNational Bailout:&nbsp;http://nationalbailout.org/ AU Warriors of the Aboriginal Resistance WAR:&nbsp;https://www.facebook.com/WARcollective/ National Aboriginal and Torres Strait Islander Legal Services:&nbsp;http://www.natsils.org.au/ Pay The Rent: https://paytherent.net.au Sisters Inside Bail fund: https://gf.me/u/x3x2a4 LGBTQI funds and orgs led by or focused on BIPOC USAThe Okra Project (Black Trans support)&nbsp;https://www.theokraproject.com/ The Marsha P Johnson insitute&nbsp;https://marshap.org/ LGBTQ - Freedom Fund: www.lgbtqfund.org The Trevor Project:&nbsp;https://www.thetrevorproject.org/ AU Black Rainbow http://www.blackrainbow.org.au/ Sources to LEARN (please please credit and PAY Black folks for their labour in putting together these resources where you can)For scaffolding anti-racism education:&nbsp; https://docs.google.com/document/d/1PrAq4iBNb4nVIcTsLcNlW8zjaQXBLkWayL8EaPlh0bc/preview?pru=AAABcrmSWg0*DGlqxREci3iNQuzetJK9mA# For a fabulous anti-rascism resource with less scaffolding:https://docs.google.com/document/d/10KQLLE8hXksOj0QK4DJMFRm4idQ9CuGLpiS6dWuAfpk/edit Black artists and labels to support on Bandcamp list:&nbsp; https://docs.google.com/spreadsheets/d/1OIUBp4kFxmpWJihhq6WLwJQR1Am4DsD59bEYlJZxeGY/htmlview?usp=sharing&amp;pru=AAABcqVgZAE*Liusbx4IHxqJsSS8QdRLng# Sherwood Forest Zine Library (AMAZING collection of zine on racism, abolition, police, activism and justice)https://www.sherwoodforestzinelibrary.org/recently-added-pdfs-links?fbclid=IwAR0USYXRkf6MKZgT89cWpQRf9P01p7FjHwtQ-x6Nrzvx0sOOIwIpjKCANqs MAY 27Portals out todayExperimental music treasure Cafe Oto have recently launched an online label TakuRoku to support the venue and artists during COVID times, and I was lucky enough to collaborate with the magical Marja Ahti on this project for it. It’s been one of the great joys of this strange spring, sending recordings back and forth with Marja, and I’m so glad to be able to share it. Link below. <img width="1800" height="1800" width_o="1800" height_o="1800" src_o="https://cortex.persona.co/t/original/i/3b8719fb02be4627091527e2a9862962a8f9ebd507d04298a8cb7dd0e15f1f05/portals.jpg" data-mid="936580" border="0" />https://www.cafeoto.co.uk/shop/marja-ahti-judith-hamann-portals/ Swedish-Finnish composer/sound artist Marja Ahti and Australian cellist/composer Judith Hamann developed Portals collaboratively from their respective lockdown spaces in Finland, sending recordings back and forth across the eastern most arm of the Baltic sea from Turku to Suomenlinna. Their lines of acoustic &amp; electronic sound pull each other through different composite terrains, revealing imaginary scenery and creating a palimpsest of geographies and time. Akin to film-maker Andrei Tarkovsky's focus “on the pressure of time", Marja and Judith give weight to each frame of sound’s internal narrative, letting each move slowly from land to island, sea to forest, mundane to remarkable, domestic to public, as if caught in dream motion. As the title suggests, the release offers frames, or windows into Marja and Judith's combined hearing, into spaces they've created together during this time: simultaneously near and distanced. Marja Ahti /&nbsp;electronics, magnetic tape, field recordingsJudith Hamann /&nbsp;cello, field recordings With thanks to HIAP Suomenlinna for providing Judith with safe harbour this spring. Cover design by Oli Barrett MAY 11HIAP Open StudiosThe open studios event at HIAP this Spring session has gone online due to COVID restrictions, and you can find all of us and some little excerpts of things I’ve worked on while in residence over here: https://www.hiap.fi/event/hiap-open-studios-spring-2020/ I’m particularly fond of these frottage pieces I’ve been working on, where I’m thinking about the activity of frottage as something akin to an act of recording. These pieces, like some of field recording/feedback work I’ve been working on here, create imaginary ‘recordings’ of physical space, objects, and textures, fictional landscapes. I’ve been taking rubbings of my interior walls, outdoor stone walls, trees, and rocks, making them part of the one tracing, a recording of an impossible surface. <img width="2670" height="4000" width_o="2670" height_o="4000" src_o="https://cortex.persona.co/t/original/i/2247bd29f080ca9fca4173da3db96afb2faee2b6a36f0bc677b62e9fc462e7af/HIAP-Open-Studios-2020-Spring_0034.JPG" data-mid="919432" border="0" /><img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/949d26b74945d9b71f97c14d0ec3286ee9c5fe07638c6912073dfa624de2f876/IMG_2055.jpg" data-mid="919451" border="0" /> <img width="4000" height="2667" width_o="4000" height_o="2667" src_o="https://cortex.persona.co/t/original/i/9c26ffe73348aaf78d759b14c4c6fd58cb1f32d8cfef7d4d2bbc024fa06f87f6/HIAP-Open-Studios-2020-Spring_0006.JPG" data-mid="919435" border="0" /> <img width="2667" height="4000" width_o="2667" height_o="4000" src_o="https://cortex.persona.co/t/original/i/49e02715c25fa785f30b24d4e52f68e82990fa7459730705c1804edfdd230bce/HIAP-Open-Studios-2020-Spring_0038.JPG" data-mid="919434" border="0" />Photos by Sheung Liu, with many thanks to HIAP APRIL 28Rammed Earth tests Gravel collected from Suomenlinna and Finnish red clayAPRIL - MAY 2020 <img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/c1e520899af72aefc516c68be127ec91fd971631f606cc38562ab85ab0b0243b/IMG_2270.JPG" data-mid="923798" border="0" /><img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/57a2953692d16302c60579ceb3ce76612d50a490573c6ea84d5986486c3ff097/IMG_2266.JPG" data-mid="923799" border="0" /> <img width="5184" height="3456" width_o="5184" height_o="3456" src_o="https://cortex.persona.co/t/original/i/5e15409e033ae411a745f8b03539699c5b33255093fefba23a57f8067c305429/IMG_2265.JPG" data-mid="923800" border="0" /> <img width="960" height="1280" width_o="960" height_o="1280" src_o="https://cortex.persona.co/t/original/i/1a945151aafae3b3373cf0f38751f01ad72ef2cf45b3ae7be598be8a19881588/IMG_0939.jpg" data-mid="923801" border="0" /> APRIL 6 Long drawingIt grows... <img width="918" height="1280" width_o="918" height_o="1280" src_o="https://cortex.persona.co/t/original/i/3ebc9779ce86c828f068b04797d5b1978889560ad171f7e4737a95a71eeb46e7/IMG_0373.jpg" data-mid="892133" border="0" /> MARCH 29 AMPLIFY 2020 Quarantine - Erstwhile - Days Collapse... <img width="432" height="324" width_o="432" height_o="324" src_o="https://cortex.persona.co/t/original/i/8c97cd2d9ebf8d4f816fc3e19a169d7a5ff8cb95e8db52a75be0ffce6e24d7a3/collapse-photo-copy.jpeg" data-mid="889541" border="0" /> Erstwhile wonder Jon Abbey, in collaboration with Vanessa Rossetto and Matthew Revert is curating and making some magic happen for AMPLIFY 2020: Quarantine. So far some of my favourite artists and humans have made work for this amazing project, and it’s been one of my highlights of each day during this wild time listening to each submission. Jon was kind enough to invite me to make something and you can have a listen over here:&nbsp; https://amplify2020.bandcamp.com/album/days-collapse-days-collapse-night Or keep it forever as a lossless download here: https://we.tl/t-LAiGMuh4Yt Some of my favourites so far include pieces by Andie Brown, Radio Cegeste, Reinier Van Houdt, Will Guthrie, Alan F Jones, Sigtryggur Berg Sigmarsson, and of course super beautiful pieces by Vanessa Rossetto and Matthew Revert. MARCH 28A Jurist for Nothing Out tomorrow on Gertrude Tapes, is Alan F Jones’ latest solo. It’s a beautiful record, and I am lucky to have been invited to join Al with one of my fave duo partners Lori Goldston for one special track... It’s a hard, risky, brave time to be putting out vinyl, so please support your local record label if you can! Check out Al’s record here: https://thegertrudetapes.bandcamp.com/album/a-jurist-for-nothing <img width="3634" height="3705" width_o="3634" height_o="3705" src_o="https://cortex.persona.co/t/original/i/106e36040a90748e40b75e9a639a27ab88e958cd37de7838a3f3138667d7a364/AJFN.jpeg" data-mid="887124" border="0" /> MARCH 21Geography Update - COVID-19 cancellations etc. Hi everyone, a very special Judy geography update. I've had people writing worried whether I'm ok, which is a fair question since a) I don't live anywhere b) my housing is usually tied to shows&nbsp;c) there are no more shows for a long time tl;dr I'm ok-ish at the moment STAY INSIDE - WASH YOUR HANDS - ISOLATE YOURSELVES I am very lucky right now, because I arrived at a residency with HIAP on the island of Suomenlinna in Finland just before shit got *really* real. I have stable housing and a place to work somewhere isolated and beautiful until the end of May which is incredible anyway, but feels extra miraculous since we are in the midst of a pandemic and my respiratory system is total rubbish. All my work has been cancelled just like everyone else's and it's terrifying but I'm safe rn. So don't worry about me, at least not right now anyway. I'm so impressed and amazed and thrilled by how quickly people are inventing new things and figuring out how to survive and make music and creating new digital spaces and thank you in particular Café OTO Fielding Hope, Ilan Volkov and Jon Abbey’s AMPLIFY 2020: quarantine for everything you've been doing/posting, it's such a help to so many people. Please check out what they're up to if you love sounds and support them and the artists they are working with/posting. I know there's so much to worry about right now and everything is wild but if you love music please buy it directly from artists/smaller labels which are under threat particularly in places which don't have any form of healthcare or social safety nets, if you can afford it please donate your tickets from events which have been cancelled instead of asking for a refund, donate to venues/artists who are live streaming what you would have spent on overpriced pub beer at very the least! Also if you're in a position to, please consider donating to your local domestic violence support organisations who will be really needed for people at risk in this bunkering down time, please donate to protecting first nations folks health if you're quarantining on stolen land, also to mental health orgs, and fundraisers for sex workers who are particularly vulnerable in this messed up time. I have no idea what happens next. Thank you everyone for checking in on me it's been a brutal and sad week. STAY INSIDE WASH YOUR DAMN HANDS Xx MARCH 8HIAP Suomenlinna I’ve recently arrived in Finland where I will be doing a three month residency at HIAP on the island of Suomenlinna. I’m thrilled to be here and looking forward to a quiet time making many things. Huge thanks to the Australia Council for the Arts for this opportunity. These are weird times, stay safe out there, wash your hands! <img width="768" height="1024" width_o="768" height_o="1024" src_o="https://cortex.persona.co/t/original/i/c9757c653ec9f1b3906277acd9d68382dbb40ff86a8c905fd298eb4c0d1c059f/UNADJUSTEDNONRAW_thumb_3678.jpg" data-mid="877590" border="0" />FEBRUARY 5 Feb tour dates <img width="1280" height="960" width_o="1280" height_o="960" src_o="https://cortex.persona.co/t/original/i/0e4e8c4526e77fd3a92d2e7b152cc93e73fddfb622b88765f6f013410ae58d4d/IMG_1415.jpg" data-mid="864436" border="0" /> I’ve arrived in the UK for a little quiet time in Canterbury before this run of compeltely different but all wonderful shows gets going. More details on the schedule page but coming right up...FEBRUARY 10&nbsp; Anthea Caddy + Judith Hamann, Cafe Oto, London FEBRUARY 16 Solo performances for ‘Open Day’ Musical Ecologies (Sarah Hennies - Loss and a Shaking Studies solo set), Onassis Cultural Center, AthensFEBRUARY 18 Solo/duo with Biliana Voutchkova, Instants Chavirés, Paris FEBRUARY 21 Malibu + Judith Hamann, Sonic Acts Festival, Stedelijk Museum, Amsterdam JANUARY 18 Heiligenstadt LP Coming out in the spring on Fragment Factory: Heiligenstadt LP with BJ Nilsen and Sigtryggur Berg Sigmarsson. <img width="1470" height="540" width_o="1470" height_o="540" src_o="https://cortex.persona.co/t/original/i/77c81feb740338838e7a9421735992dcfe2c9b6df1454362a4bdf1f718c45aa1/Screen-Shot-2020-01-19-at-12.36.52-pm.png" data-mid="849592" border="0" />2019------------------ DECEMBER 5 EMS Composer in Residence <img width="1280" height="960" width_o="1280" height_o="960" src_o="https://cortex.persona.co/t/original/i/2baed6c132608b8318e1f10595e0dccfa01392578d3bbd2fa183ce8b0dcc1b89/IMG_7182.jpg" data-mid="830103" border="0" /> Anthea Caddy and I have been in Stockholm for a few days now, spending a week as composers in residence making new work at EMS. It’s such a wonderland at the studios here and I’m excited to be working on finishing up material for our new co-composition supported by the APRA AMCOS Art Music Fund. I’ll be staying on for an extra few days to perform at Fylkingen on a wonderful bill hosted by the excellent folks at FRIM, more info on that here: &nbsp;https://www.fylkingen.se/node/2637 <img width="1280" height="960" width_o="1280" height_o="960" src_o="https://cortex.persona.co/t/original/i/2f9f291f531c9087b37abbf477be37e0c85f03997fb5b49da85776075c678e13/IMG_1159.jpg" data-mid="830104" border="0" />Anthea in her natural element: surrounded by speakers NOVEMBER 17One Arm Bandits I spent the weekend with all these mates in Middletown CT recording Alvin Lucier’s cello quartet One Arm Bandits. Here we all are holding possible the best transport pick up sign I’ve ever come across. Can’t wait to hear how it all comes out. <img width="433" height="440" width_o="433" height_o="440" src_o="https://cortex.persona.co/t/original/i/a70ce23ba3bf7343a587a7d0f02b3bbd97de2a48c16fba674359bafa4e1dcc4c/IMG_1050.jpg" data-mid="830105" border="0" /> OCTOBER 31 USA visits <img width="1116" height="592" width_o="1116" height_o="592" src_o="https://cortex.persona.co/t/original/i/ff6177c091c758ce5862079a58885460b02c933bb9aec071eb357a445c20afdd/Screen-Shot-2019-10-31-at-1.08.29-pm.png" data-mid="806994" border="0" />I’m getting ready to head to the US for a few weeks, and I’m so looking forward to seeing so many friends and making some exciting new work, playing some shows, and doing some exciting recording projects... First up, I’m thrilled to be performing works by Eliane Radigue with Charles Curtis for Blank Forms on November 4th in NYC. From there I spend a few days visiting my former home(s) in Southern California, before heading to Harvard to work with Yvette Janine Jackson, then Middletown CT and back to NYC to play with my favourite bagpiper David Watson. More info can be found on the schedule page... OCTOBER 22 Upcoming German activities I’m back in the Northern Hemisphere for a long while now, and this weekend I’m moonlighting as a ‘drummer’ with Ned Collette in the Netherlands and Germany. Coming up fast is a huge presentation of Anthony Braxton’s Sonic Genome for the Berlin Jazz Festival at the Groupius Bau with 60 musicians from all over the world, performing a six hour realisation of this work. Should be wild. <img width="1060" height="754" width_o="1060" height_o="754" src_o="https://cortex.persona.co/t/original/i/019629d82ccae231b8b5af2a931db9a14a46743a3b225bc9a561bb74ecd00197/Screen-Shot-2019-10-31-at-12.59.54-pm.png" data-mid="806988" border="0" />More info can be found here:&nbsp; https://www.berlinerfestspiele.de/en/berliner-festspiele/programm/bfs-gesamtprogramm/programmdetail_293795.html OCTOBER 12 Upcoming in Birraranga/Melbourne&nbsp; Doing a few things in Melbourne this week, including INLAND, an Mlab performance and artist talk, and most importantly premiering Cat Hope’s new ‘concerto’ for two cellos, choir, and electronics with cello mate Tristen Parr and the Monash University Singers. <img width="1028" height="390" width_o="1028" height_o="390" src_o="https://cortex.persona.co/t/original/i/844f9752f5b9aad2060ad781cadda65d90bb4aeb6e418a8b206a1618eca9fc34/Screen-Shot-2019-10-31-at-12.56.32-pm.png" data-mid="806986" border="0" />https://www.monash.edu/mlive/whats-on/events/monash-uni-singers-talkshow/ SEPTEMBER 15 ECM 50 concert I’m in Oslo making some new beautiful things with Mette Henriette and Johan Lindvall and on the 28th we perform for the ECM 50th Birthday festival, sharing the evening with Carla Bley Trio. It’s so lovely to be here, and many exciting things are ahead... <img width="1188" height="1132" width_o="1188" height_o="1132" src_o="https://cortex.persona.co/t/original/i/5a0ac6cc1d35ded17a31e8c3c28f1a13a2068c704e678c3199bddaa88e33d6b1/Screen-Shot-2019-10-13-at-10.55.06-am.png" data-mid="795056" border="0" /> SEPTEMBER 3 BIFEM 2019 Heading to Bendigo today to work with my favourite string quartet, this week we’ll be developing the Australian premiere of Robert Ashley’s string quartet and pay our respects to all living creatures who inhabit dark places and who, over the years, have developed acuity in the art of echolocation (Lucier’s Vespers), among works by Katie Young and Deniz Nurhat, and a working on a new version of&nbsp; Ann Rosén‘s Graphite Barrier, for electronics, string quartet, and live graphite. More info here:&nbsp;https://www.bifem.com.au/ <img width="1958" height="1136" width_o="1958" height_o="1136" src_o="https://cortex.persona.co/t/original/i/d21c92d1b2f675d71891e2e546c8f0943f6671158fff52e277bc302030df5e2e/Screen-Shot-2019-09-05-at-11.58.07-am.png" data-mid="773494" border="0" /> AUGUST 20 Supersense In Melbourne for Supersense Festival of the Ecstatic, performing with my loves Golden Fur, and as a trio with Rully Shabara and Tony Buck.&nbsp;There are so many incredible artists traveling to Melbourne for this festival, I’m so looking forward to these treats. More information here:&nbsp;https://www.artscentremelbourne.com.au/supersense-festival<img width="2466" height="560" width_o="2466" height_o="560" src_o="https://cortex.persona.co/t/original/i/2402465aa76a2d1b06cbd44e8b9d86a3bc7a6d260490c2270cd98ace305f8ba1/Screen-Shot-2019-09-05-at-12.01.07-pm.png" data-mid="773498" border="0" /> JUNE 22 TURA Sonus Tour I’ve been involved in TURA New Music’s regional program in the Kimberley for a few years now, and am so thrilled to be going out this year with the amazing Naomi Pigram, Mark Atkins, and Aviva Endean. I’m so lucky to get to work with these artists and people and landscapes and communities and kids in one of the most amazingly beautiful places on earth.&nbsp; http://sonus19.tura.com.au/the-tour/about <img width="1282" height="838" width_o="1282" height_o="838" src_o="https://cortex.persona.co/t/original/i/0b5d17fa81d7b198aacc6c7496ea0c5223b35645991918dbd22f9b4963684a9e/Screen-Shot-2019-06-22-at-6.54.21-am.png" data-mid="731578" border="0" /> The Kimberley has one of the highest indigenous suicide rates in the world, and specifically the highest indigenous youth suicide rate in the world. Numbers are already past 70 deaths for 2019. This is a crisis, and needs to be part of our national conversation, NOW. If you’d like to read more about this, please check the following links:https://www.abc.net.au/news/2019-02-17/indigenous-suicide-rates-at-crisis-levels-communities-say/10814874 https://www.theguardian.com/australia-news/2019/may/14/unspeakable-how-can-australia-stop-the-indigenous-suicide-epidemic https://theconversation.com/why-are-we-losing-so-many-indigenous-children-to-suicide-114284 JUNE 19 Dark MofoTouched down in Hobart yesterday and I’m so, so looking forward to playing with Mette Henreitte for Dark Mofo. There is some really magic connecting taking place in the lead up to our concert tomorrow. I think the show is sold out, but there might be some tickets on the door if you’re lucky... &lt;3 <img width="864" height="491" width_o="864" height_o="491" src_o="https://cortex.persona.co/t/original/i/fba680b73e6c286234454b4d95f9a6ecd9199530de965311b0b2e4935e4885dc/Screen-Shot-2019-06-22-at-6.21.04-am.png" data-mid="731567" border="0" /> https://darkmofo.net.au/program/mette-henrietteJUNE 6 West Coast tourA little string of west coast happenings coming up with two of the most amazing women I know and have the immense good fortune to get to make music with: Anna Homler (in California) and Lori Goldston (for the PNW shows). JUNE 8 - Duo with Anna Homler:&nbsp;Interpreting the work of Dorit Cypis Santa Monica Prefecture, Los Angeles JUNE 9 - Solo performance for The Unwrinkled Ear Coaxial, Los Angeles JUNE 11 -&nbsp;Lori Goldston + Judith Hamann duo Nalanda West, Seattle JUNE 13 - Lori Goldston + Judith Hamann + Alan F. Jones + Greg Kelley + Eric Padget + Austin Larkin Teatro de la Psychomachia, Seattle JUNE 14 - Lori Goldston + Judith Hamann duo Toast, Vancouver BC JUNE 15 - Lori Goldston + Judith Hamann duo The Business, Anacortes MAY 23 Up aheadAnother small announcement that is somewhat future oriented.&nbsp; I’ll be an artist in residence at EMS Stockholm with Anthea Caddy December 2 - 8 this year, working on a new composition for multi-channel diffusion in part thanks to the APRA AMCOS Art Music Fund’s commission of our new work. http://elektronmusikstudion.se/composers/2019/1060-judith-hamann-anthea-cadd-ems-2-8-december-2019?fbclid=IwAR3muBAF4xTh3AIn6ZaWvQlrTO7wKIvMd-IaJ9XWt2Rh9GHltHPh5X0oLFE Then from March 1 to May 30 2020, I’ll be an artist in residence for HIAP (Helsinki International Artist Program) on the island of Suomenlinna, Finland thanks to the Australia Council for the Arts. I’ve never spent any time in Scandinavia so I am stoked about these upcoming jaunts.&nbsp; <img width="1680" height="1122" width_o="1680" height_o="1122" src_o="https://cortex.persona.co/t/original/i/c5295462d28bed325c38b43ab50de53146644c0def0688fb0855cdf5d69cf250/AntheaJudithGalleria-resized.jpeg" data-mid="713296" border="0" />Photo credit Martina Biagi for Tempo Reale MAY 20 CDMX I’ve had a magical time performing in two very special spaces in Mexico City the last couple of days: Diego Rivera’s Anahucalli Museum with Fear of the Object, and Ex-Teresa with Rogelio Sosa for his release on Substrata. Here are some photos from the Ex-Teresa show by the amazing Rhizomes Films www.rhizomesfilms.com <img width="1680" height="1121" width_o="1680" height_o="1121" src_o="https://cortex.persona.co/t/original/i/36ecd357b1f7546da38a681f6225932b20da3412453c5d3834f0390b29df326b/sosa-resized-2.jpeg" data-mid="713295" border="0" /> <img width="1200" height="1799" width_o="1200" height_o="1799" src_o="https://cortex.persona.co/t/original/i/724d05010e34fd61bcdfb42a12d142699eb8c89ab32f75f9a8233834cd0a9125/sosa-resized-1.jpeg" data-mid="713294" border="0" /> MAY 10I’m thrilled to announce that Anthea Caddy and I are among the recipients of this year’s APRA AMCOS Art Music Fund. We’ll be making a new electro-acoustic work together over the rest of the year, and then touring it about to many places. We are in some wonderful company, congratulations to all the successful applicants! For more information:http://apraamcos.com.au/news/2019/may/the-2019-art-music-fund-awards-grants-to-nine-composers-for-brave-new-works/ APRIL 27 ON THE ROAD AGAINI’ll be spending the next six weeks touring in the US, Mexico, and Canada. Check the shedule page for updates about shows! First up, Fear of the Object (Kjell Bjorgeegen and Chris Cogburn) tour in Texas and central Mexico. Kjell’s practice is centered on flicker and I, unfortunately, suffer from stroboscopic migraines, so I’ll be spending every show blindfolded.&nbsp; April 27 FOTO - Austin + Martin Taxt April 28 FOTO - DallasApril 30 Pikelet, Los Angeles, Zebulon May 4 FOTO - San Miguel de Allende&nbsp;May 8 FOTO - Puebla&nbsp; May 11&nbsp; FOTO - Oaxaca City May 16&nbsp; FOTO - Mexico City&nbsp;+ Juan J Garcia May 17 Rogelio Sosa - Ecliptic lauch - Mexico City, Ex-Teresa &nbsp;APRIL 20 Beissel <img width="640" height="554" width_o="640" height_o="554" src_o="https://cortex.persona.co/t/original/i/48537b4f1ba243f55afc939a3590684a01b3e1e4db0b8c7621097e2c92e4f1b5/IMG_9934.jpg" data-mid="691542" border="0" />This came out a little while ago, but I only recently received the real life physical copies of this new-ish album of Klaus Lang and Golden Fur’s collaborative piece ‘Beissel’. They look gorgeous and Angie Jennings’ artwork is just stunnning.&nbsp;Thank you so much to Simon Reynell at Another Timbre for putting this out. I remember the process of making this really vividly, styaing with Klaus in the Austrian Alps, getting locked in the monastery during the world cup semi-final, James and Sam swimming in the lake and DJ Solid Sounds jamming some wrong Rod Stewart tunes at the local. I’m so happy this is out in the world, and that so far, people seem to like it. Here are a couple of early reviews of the album: Just Outside - Brian OlewnickBoring Like a Drill - Ben Harper Here’s a photo of James and Klaus having a light nap outside the monastery at St. Lambrecht back in 2016 <img width="640" height="480" width_o="640" height_o="480" src_o="https://cortex.persona.co/t/original/i/4b46e160722a7609c30085f21378ccf836864e33973c38d050ca7fab348a7b79/IMG_4802.jpg" data-mid="691547" border="0" /> MARCH 24 Alloys reviewI’m a bit late posting this, but despite some inaccuracies (like the confusion between the title of my research project with Charles Curtis and my solo cello work), it’s a nice review from this month’s Wire Magazine of my record with Lori Goldston out on Marginal Frequency. <img width="416" height="1800" width_o="416" height_o="1800" src_o="https://cortex.persona.co/t/original/i/c9b8857df5392c3ceb4c77f28102009d9110247ae3966d813d5fe82a71c84fbe/wire-review.jpg" data-mid="675153" border="0" /> MARCH 19 MaerzMusik I’m in Berlin for the next couple of weeks for Maerz Musik. I’m doing two great shows which happen to be the opening and closing concerts. More info on the schedule page!https://www.berlinerfestspiele.de/de/berliner-festspiele/programm/bfs-gesamtprogramm/programmdetail_276700.html MARCH 16 Solo touringPorto beach feelings <img width="640" height="640" width_o="640" height_o="640" src_o="https://cortex.persona.co/t/original/i/0a8c55f1abdf38981c4181cf51067e6953f8cd986fb2844e8c29a2bf8e9ebe8c/IMG_9834.jpg" data-mid="675137" border="0" /> <img width="640" height="480" width_o="640" height_o="480" src_o="https://cortex.persona.co/t/original/i/ec036412b177241d40fae1be066536283b3c91f99b1c89f34fc1aa83a2cd1bd3/IMG_9821.jpg" data-mid="675138" border="0" /> MARCH 9I’m in Berlin for rehearsals right now but I have a short, slightly hectic, but exciting stretch of travel ahead including: March 10 - A live solo recording/filming session in London Contact me for details if you'd like to attend. March 12 - Playing a little Alvin Lucier with The Ever Present Orchestra (crazy line up of magical ones on this bill includign Oren Ambarchi, Thurston Moore, John Tibury, Lucy Railton, and Jennifer Walshe) Round Chapel, London March 14 - Solo at DAMAS, Lisbon March 17 - Solo at Sonoscopia, Porto March 18 - Duo with Ingar Zach, Cruce, Madrid MARCH 1 Bye Krems So long and thanks for all the pastels <img width="640" height="640" width_o="640" height_o="640" src_o="https://cortex.persona.co/t/original/i/d57f35563919f5d6770e8aff86db7931aa2af9940c72a4a3bd99455fe935ce3b/IMG_9676.jpg" data-mid="675133" border="0" /> <img width="640" height="480" width_o="640" height_o="480" src_o="https://cortex.persona.co/t/original/i/6c892f40e48fb6774ef1c18582441224f87a9d98443da2ed0688de9e699504ae/IMG_9681.jpg" data-mid="675134" border="0" />FEBRUARY 20Heading to Amsterdam today to play Sonic Acts with Anthea Caddy. I’m so happy to be part of this amazing festival,in amazing company, playing at the Paradiso, and also to be fulfilling something of a dream, by performing with the GRM acousmonium. https://2019.sonicacts.com/programme/festival-opening-21-feb From the festival program: “Exactly 11 years since we first had the honour of hosting them, we welcome back our friends from the National Audiovisual Institute’s Musical Research Group in Paris (Groupe de recherches musicales, Institut national de l’audiovisuel – or Ina GRM), with their legendary 80-speaker orchestra, the Acousmonium. The evening will feature commissioned works by Okkyung Lee and BJ Nilsen, a new piece by Thomas Ankersmit dedicated to Maryanne Amacher, legendary works by Dick Raaijmakers, Eliane Radigue and Régis Renouard Larivière, and acousmatic live performances by Beatriz Ferreyra, Anthea Caddy and Judith Hamann, as well as François Bonnet and Keith Fullerton Whitman.” FEBRUARY 2 I’ve just arrived in Krems, Austria where I’ll be an artist in residence for the month of February. I am unreasonably excited about having my own space to work and live for this time period, once I get through the exhaustion of that last couple of months! I’ll be working on some writing connected to an ongoing discourse based project with Charles Curtis, new solo cello work, and developed some recorded/fixed media projects. More information about the residency can be found here:https://www.air-noe.at/de JANUARY 17Alloys - Lori Goldston and Judith Hamanncoming soon on Marginal Frquencyhttps://marginalfrequency.bandcamp.com/album/mfcd-e-alloys <img width="700" height="700" width_o="700" height_o="700" src_o="https://cortex.persona.co/t/original/i/8e602ecfe989a644aaadbaed5180631126631b8bf3afd530a8ee1cecc2132151/alloys.jpg" data-mid="625126" border="0" /> Postscript (Jan 29) Lovely write up by Steve Smith on the National Sawdust Log herehttps://nationalsawdust.org/thelog/2019/01/25/on-the-record-January-25-2019/?fbclid=IwAR2upc2ddc56Gm7YOiN9CEbRR84KrcQ3mTqSs5vK56wAzsZpn2m_iX84wG8 JANUARY 1 After the longest new years day ever (40 odd hours, the magic of time travel!) I’m going to bed in California. Very excited about upcoming projects here with some incredible musicians. The next few weeks are making me more excited about playing ‘pieces’ than I have been in a long time... Details on the schedule page but also here:JANUARY 14Monday Evening ConcertsPerforming Sarah Hennies ‘Contralto’Zipper Hall, Los Angeleshttp://www.mondayeveningconcerts.org/jan-14-2019--contralto.htmlJANUARY 16 &amp; 17He Pūtōrino Mākutu (a magic flute): a taonga pūoro puppet operaWith original music by: Rob Thorne (Ngāti Tumutumu), Celeste Oram and Alex TaylorHearing the Future Festival - San Diego SymphonyThe Sandbox, San Diegomore information here: https://purchasing.sandiegosymphony.org/single/psDetail.aspx?psn=7176 <img width="2322" height="1559" width_o="2322" height_o="1559" src_o="https://cortex.persona.co/t/original/i/3a0afbeafbf3cd804ab2f243a1c96b16452d89a0bdcec317e98eecb54d0e2582/IMG_9304.jpg" data-mid="621295" border="0" /> 2018------------------ DECEMBER 2 Winging my way to Mexico City for this excellent thing. So happy to be returning! <img width="1448" height="2048" width_o="1448" height_o="2048" src_o="https://cortex.persona.co/t/original/i/94f76b37fc3a4f4cb0691a084c106b48e1d6cb24e10f010c25060d56f901bf95/47578938_10215431566056708_2139326457132875776_o.jpg" data-mid="599650" border="0" /> NOVEMBER 10I’ve retrurned to Southern California for a short stretch, the first trip to the US since getting a new artist visa for the US and I am slightly overwhelmed by just how wonderful it feels to be back, how much I’ve missed it, how complex it feels on telescopic level, personal, social, community, professionally, artistically, politically, activism-ally.&nbsp; I’ll be playing a few shows in SoCal, then heading off to Chicago, Ithaca, Baltimore, and Mexico City over the next few weeks. One very special thing I’ll be doing here, is a performance of La Monte Young and Marian Zazeela’s The Melodic Version (1984) of The Second Dream of The High-Tension Line Stepdown Transformer from The Four Dreams of China (1962) in Dream Light as part of the Los Angeles Philharmonic’s Fluxus Festival at Walt Disney Concert Hall. I feel very lucky to have the opportunity to work with Charles Curtis, Jung Hee Choi, and Ben Neil among many others to bring this realization into being, and to revisit this work again. More info on that here:&nbsp;https://www.laphil.com/events/performances/216/2018-11-17/fluxus-fluxconcert/ And more info on upcoming shows in Northern America on the schedule page.<img width="2448" height="2918" width_o="2448" height_o="2918" src_o="https://cortex.persona.co/t/original/i/0c246dec226e3cf44735b51990db33192ed13417dea73c5fedaf4a321940072e/FullSizeRender-2.jpg" data-mid="584502" border="0" /> SEPTEMBER 20 Temporary BerlinI’m spending the next little while in Berlin while certain life questions and concerts and visa paperwork all being works in progress plants me in something of a limbo state. However, there’s much to be working on and seeing and doing here, and I’m keeping busy preparing for the premiere performance of Sarah Hennies’ new work ‘Loss’ for humming cellist and electronics on October 7th, as well as a short jaunt to London to play a solo set for Silver Road Presents. More info in the schedule section. Here’s to Autumnal splendour, leaves and hail. <img width="320" height="240" width_o="320" height_o="240" src_o="https://cortex.persona.co/t/original/i/86c7bbaa00ef8f777cb208c751512a0ab910feb0eb37f393f6c553e50e8da9c5/IMG_9175.jpg" data-mid="556814" border="0" /> AUGUST 8 Resident of the Forest I’ve been fortunate enough to be invited to undertake a two week artist in residence work period at the Cooroora Institute on the Sunshine Coast. It is so beautiful up here, and I’m excited about the work underway in collaboration with artist Karla Pringle, as well as having the opportunity to develop some new cello work. Some photos below... <img width="447" height="640" width_o="447" height_o="640" src_o="https://cortex.persona.co/t/original/i/b809b0b657461a926651a198c2b7755d1fe262bb44a749332745f4540e64c08c/IMG_8926.jpg" data-mid="517132" border="0" data-scale="44"/><img width="480" height="640" width_o="480" height_o="640" src_o="https://cortex.persona.co/t/original/i/6978c99eca6cd2ecbf5da9b407d8b3faeacdc717fa10453ec8271e141612d440/IMG_8935.jpg" data-mid="517133" border="0" data-scale="47"/> <img width="640" height="439" width_o="640" height_o="439" src_o="https://cortex.persona.co/t/original/i/2d5502097eacb50cebcea1813b10c955de5e21f245c2c6675d1d92250596f2aa/IMG_8947.jpg" data-mid="517134" border="0" /> My immense thanks to the Australian Cultural Fund for making this residency possible. JUNE 20Australia timeI've arrived back in Australia (very) fresh from performing in the UK. I did a sneaky solo set for the Inland Concert Series in Melbourne before heading off to the Kimberley with the Tura New Music regional tour to work in community and schools. More info here: http://narlitour18.tura.com.au/the-tour/about After this, I'll be performing at the Avantwhatever festival in Melbourne and presenting a paper and performance on my cello based 'Shaking Studies' work at the Gender Diversity in Music Making conference at Monash University. https://www.avantwhatever.com/festival2018.html https://arts.monash.edu/events/event/the-gender-diversity-in-music-making-conference/ Then, finally, I'll be taking a break from touring and playing, doing some hiberation in Melbourne winter, and hopefully carving out enough space to get making again, writing, working out new material, recording even (!). Phew. It's been a wild year. <img width="3067" height="2409" width_o="3067" height_o="2409" src_o="https://cortex.persona.co/t/original/i/0152b2b8089ce00167d633036a04afffe2524ea524e4237d21ffc8b82bec9ba3/IMG_8645.jpg" data-mid="486335" border="0" /> APRIL 10&nbsp; Anthea Caddy and Judith Hamann at Tempo Reale, Florence I have packed up and left the United States for good, following the completion of my doctorate at UC San Diego. Off into the wilds of the world I now go, the rest of the year a mixture of Europe and Australian adventures. First up, a short residence period for Tempo Reale in Florence! Info on the show, and also the workshop can be found below... http://www.musicaelettronica.it/trk-sound-club-anthea-caddy-e-juditha-hamann/ Anthea and I are extremely grateful to Creative Victoria and the Australia Council for the Arts in making this possible for us. APRIL 3LIVE/WORK Coming up is the last show I'll be organising in SoCal, and it is really exciting for me to be curating an event that is focused on installation and performance based work, but not in any way sound oriented. This show will unfold throughout the live/work loft at space for art, using beds, bathrooms, laundries, parking lots, to house works that speak to ideas of a kind of porousness between domestic space and working space. Some of favourite artists and people from San Diego and Tijuana have kindly agreed to be part of this last event, and I'm so excited to see it all together in the space. <img width="792" height="528" width_o="792" height_o="528" src_o="https://cortex.persona.co/t/original/i/10e12792585656d181182a3e2262a899820a6b03de63f015bfa669359f5b6a9c/liveworkevent.web.png" data-mid="444755" border="0" /> MAR 3Julia Reidy and Judith Hamann Tour This is sort of my "last hurrah" tour, a farewell tour if you will. Julia and I will mostly be performing solo sets of our own, but I'll also be doing some playing with people who have become really important to me over the time I've lived in the United States. More info about Julia here:&nbsp; juliareidy.bandcamp.com julia-reidy.com <img width="1754" height="950" width_o="1754" height_o="950" src_o="https://cortex.persona.co/t/original/i/eb06228c3202aee1df1d27860cb031b4a5568253e3f78460b295a432f0514595/Screen-Shot-2018-03-03-at-11.25.50-am.png" data-mid="332337" border="0" /> FEB 20No Idea I'm so honoured to be traveling to Austin to perform with this amazing collection of musicians. Very much looking forward to my first time in Texas. http://noideafestival.com <img width="924" height="1194" width_o="924" height_o="1194" src_o="https://cortex.persona.co/t/original/i/8d2a9e51f655d12bea9162163d97c6b51543c01ee160f3417ad4ed03dcc7ba44/Screen-Shot-2018-03-03-at-3.07.45-pm.png" data-mid="332334" border="0" /> FEB 7 RE:SOUNDI've barely been back in San Diego a second, but I'm heading to the Bay Area to perform at this amazing series that I'd always hoped to play ever since my mate Joe Cantrell told me about it. I'm looking forward to meeting A-168 (the bunker with seven second reverb), and all the Re:Sound crew. http://www.re-sound.net <img width="1394" height="922" width_o="1394" height_o="922" src_o="https://cortex.persona.co/t/original/i/da11ccbea9d17950beef7ec6ea370122d4aa9dc2b262a5fd22545816def4e8b8/Screen-Shot-2018-03-03-at-3.14.54-pm.png" data-mid="332335" border="0" /> JAN 12Heading home for the summer I'll be in Australia doing all these lovely things with these lovely people shortly. There's more info on the schedule page but looking forward to some home time for a spell... January 18 Ned Collette Band w/ Wirewalker + Strings - Gasometer, Melbourne January 22 Inland Concert Series: Piano, Violin, Viola, Cello - Church of All Nations, Melbourne January 23 Make It Up Club 20th Birthday Celebrations: trio with Clare Cooper and Bonnie Lander (plus SO many amazing friends!) - Bar Open, Melbourne January 24 + 27 The Now now Festival: with Steve Heather and Ned Collette + with Cor Fuhler and Bonnie Lander - 107 Projects, Sydney February 3 - 4 SoundOut Festival - Drill Hall Gallery, Canberra <img width="970" height="494" width_o="970" height_o="494" src_o="https://cortex.persona.co/t/original/i/536286dce686217e4d410f32034fc5a28c14fe0ba2f400487f0d773b5472556d/Screen-Shot-2018-03-03-at-3.17.43-pm.png" data-mid="332336" border="0" /> 2017--------------------- DEC 29Ashering Here are some results of the recent collaboration with Cedric Tai which premiered in Detroit recently. Concept and Mechanisms by Cedric Tai, Score "Ashering" by Judith Hamann.Prints from multiple performances of the score at Simone DeSousa Gallery as performed by Yuri Popowycz (Violin) and James Cornish (Trumpet) <img width="360" height="270" width_o="360" height_o="270" src_o="https://cortex.persona.co/t/original/i/29719d45f90ce9b690773c07009282c8cf31162e7b1af60849192156a7681811/ashering-photo1.jpg" data-mid="332331" border="0" /><img width="720" height="737" width_o="720" height_o="737" src_o="https://cortex.persona.co/t/original/i/47d77b0848ffa9b64d7c730d30d3cf52f0d8a1d20cc1f67af077d197e4b23142/ashering-3.png" data-mid="332333" border="0" /> <img width="360" height="270" width_o="360" height_o="270" src_o="https://cortex.persona.co/t/original/i/440cb12b1765e7cc498f0af8b2bbcc671189ce5c266e0f4693df0dcc8fad93b2/ashering-photo2.jpg" data-mid="332332" border="0" /> NOV 22 Arnold Dreyblatt Tokyo Ensemble 2017 12/16 (SAT) Super Deluxe Arnold Dreyblatt Jim O'Rourke Oren Ambarchi Konrad Sprenger Samuel Dunscombe Eiko Ishibashi Judith Hamann Toshiaki Sudo Joe Talia <img width="1075" height="777" width_o="1075" height_o="777" src_o="https://cortex.persona.co/t/original/i/58be72723099951e0d2023b448ade4e6b900cbbebb9dcc566a4f96b8e08fb6ef/23509461_10156756578899348_2037850417333020898_o.jpg" data-mid="332327" border="0" /> NOV 19 Shaking StudiesMany exciting ideas, developments and concepts floating around after a great weekend with friend and collaborator Rachel Yezbick. Shaking tables, hyperobjects, slow motion, accelerometers. More soon... <img width="960" height="1280" width_o="960" height_o="1280" src_o="https://cortex.persona.co/t/original/i/96c578643821ee3a2c540108896e5b0870fcf2b67056bffc35bfe5da733a0925/IMG_7335.jpg" data-mid="332329" border="0" />Photo &nbsp;from structural engineering lab at UC San Diego NOV 1 Gossamers I'm thrilled to announce my album with Rosalind Hall is almost out in the world on the wonderful caduc. Immense thank yous from both of us to Mathieu Ruhlmann, Alan Jones, and Matthew Revert for all your care, magic and contributions to this release. Most of all, THANK YOU to the amazing Carolyn Connors. Without you, this album would not exist. Available on Nov. 15th in an edition of 100 glass-mastered CD packaged in an outsized gatefold card stock cover with printed bookmark in a PVC sleeve. Artwork and design by Matthew Revert http://caduc.org/index.html <img width="1582" height="1765" width_o="1582" height_o="1765" src_o="https://cortex.persona.co/t/original/i/74c4e1e40af4594a678540536cced25b6d5c606a47113918d645d12ca7e5c87e/gossamers.jpg" data-mid="332328" border="0" /> OCT 30 Upcoming PNW dates Nov 3 (Seattle, Woodland Theater) - Duoss (long form improvised duos/trio set w/ Greg Kelley and Alan Jones) Nov 5 (Seattle, Racer Sessions at Gallery 1412) Nov 9 (Seattle, Earshot jazz festival at The Chapel Performance Space) with Lori Goldston Nov 10 (Vancouver, BC, Red Gate) - Quiet City performance series solo with Dashes, Mathieu Ruhlmann + Joda Clément + Alan Jones, and Man Forever. AUG 30BIFEM BIFEM is happening again. I’ll be tearing around like crazy all weekend, playing 13 pieces. Particularly exited to be playing with my beloved string quartet! Bendigo ahoy...http://www.bifem.com.au/2017/home# <img width="1500" height="859" width_o="1500" height_o="859" src_o="https://cortex.persona.co/t/original/i/26ffb91b69def3b7cff401bcedfdcd2c25d35f633b4ae9e8911ca005419ec8da/pixel_dead-oceans.jpg" data-mid="332330" border="0" /> NEWSN.B. THIS PAGE MAY VARY IN UP-TO-DATE-NESS 2025-----------------MARCH 17 So pleased to announce the release of my latest solo record ‘Aunes’ on Shelter... http://judith-hamann.com/Media Sat, 29 Jul 2017 21:20:47 +0000 Judith Hamann 199348 Selected Media JudithHamann · Become Shut, Draw Together (from Days Collapse, Another Timbre) Blank Forms · Judith Hamann - The Tender Interval Blank Forms · Judith Hamann - Humming Suite III - Harmonics Étude For One Cello And One Voice  &nbsp;&nbsp; CONTACT judithehamann (at) gmail.com Home Selected Media JudithHamann · Become Shut, Draw Together (from Days Collapse, Another Timbre) Blank Forms · Judith Hamann - The Tender Interval Blank Forms ·... http://judith-hamann.com/projects Sat, 29 Jul 2017 21:20:04 +0000 Judith Hamann 199347 Projects <img width="1280" height="857" width_o="1280" height_o="857" src_o="https://cortex.persona.co/t/original/i/3523d49fd3bd42108c843990c8f88b2f4447f278341ba082ba3015a117e26458/Golden-Fur-jtree.jpeg" data-mid="265530" border="0" /> GOLDEN FUR&nbsp; <img width="640" height="212" width_o="640" height_o="212" src_o="https://cortex.persona.co/t/original/i/08b08c6a973475e7ef5e028f9abe1b20b3835ac1e7c369c912f13dcca1b8695d/IMG_3732.jpg" data-mid="265531" border="0" /> ANTHEA CADDY AND JUDITH HAMANN <img width="1595" height="1058" width_o="1595" height_o="1058" src_o="https://cortex.persona.co/t/original/i/2091b862c1cd236a21b75891c54573777816cde795ea73873079957b5b5115d5/judyros.jpg" data-mid="265532" border="0" /> ROSALIND HALL AND JUDITH HAMANN <img width="719" height="499" width_o="719" height_o="499" src_o="https://cortex.persona.co/t/original/i/c00c0b4b8e31d9b2c9e5ca3fb4cafe74eb3510047da9da0c0428e4957e205d67/hammers.jpg" data-mid="265533" border="0" /> HAMMERS LAKE<img width="990" height="447" width_o="990" height_o="447" src_o="https://cortex.persona.co/t/original/i/37628032164bf0a10271de20d6b1c43b59ea6e47e8df41dbe28ac2d84a67ff95/alloys-long.png" data-mid="713299" border="0" /> LORI GOLDSTON AND JUDITH HAMANN Home Projects GOLDEN FUR&nbsp; ANTHEA CADDY AND JUDITH HAMANN ROSALIND HALL AND JUDITH HAMANN HAMMERS LAKE LORI GOLDSTON AND JUDITH HAMANN ... http://judith-hamann.com/schedule Sat, 29 Jul 2017 21:19:37 +0000 Judith Hamann 199346 Schedule2026-------------------------------------- APRIL 14Ghost Ensemble &amp; Harmonic Space Orchestra Works by Lamb, Mackaly, and Richter,&nbsp; BKA Theater, Berlin MARCH 25 Solo set With Megan Alice Clune (solo) KM28, Berlin MARCH 20Les Certitudes trio (with Léo Duplex and Juliette Adam) Roodkapje, Rotterdam MARCH 19 Les Certitudes trio (with Léo Duplex and Juliette Adam) KM28, Berlin MARCH 13Les Certitudes trio (with Léo Duplex and Juliette Adam) Les Ateliers Claus, Brussels MARCH 12 Les Certitudes trio (with Léo Duplex and Juliette Adam) Instants Chavirés, Paris MARCH 9 Solo concert Le Bleue, Paris FEBRUARY 25 Solo performance of ‘Desire Path Fragments’ With Sam Dunscombe (solo) KM28, Berlin FEBRUARY&nbsp; 21 Festival Cable Solo performance Studio D’en Haut, Nantes JANUARY 24 - 25Chronos Kristalla from The Magic Chord x 4New Version of Chronos Kristalla for String Octet, 20 IV 12, NYCIn a setting of Dream Light by Marian Zazeela&nbsp;and Time Crystals Rippling Over the Magenta Ocean by Jung Hee ChoiWith The Theatre of Eternal Music String Ensemble&nbsp;led by&nbsp;Charles Curtis Bourse de Commerce Pinault Collection, Paris 2025--------------------------------------DECEMBER 11-13 REFOREST by Adam Man With Judith Hamann and&nbsp;Michiyasu FurutaniLive-Environment / Tanz / Performance / Musik / Installation Sound Design and performance BRUT, Viennahttps://brut-wien.at/de/Programm/Kalender/Programm-2025/12/Adam-Man OCTOBER 19Solo performance w/ Jessica EkomaneTriennale Milano, Milan AUGUST 1Solo performance SUPERNORMAL Festival Braziers Park Camp Field, Oxfordshire JULY 20Solo performance RAMP FestivalRathmullan Presbyterian Church, Rathmullan JULY 13 HOSTING II Dinner by Judith Hamann and On Yee Lo Cafe OTO, London JUNE 30 Trio with Stefan Schönegg and Michael Thieke Stadtgarten, Köln JUNE 18‘Primetime’ with Harmonic Space Orchestra KM28, Berlin JUNE 10 Solo performance&nbsp; Dobialab Nova Gorica MAY 31, JUNE 1BANKing by Moriah Evans, music by Catherine Lamb Musik Installation Festival, Nuremberg MAY 11 From the Quarter to the (W)hole: What Lies at the Center of Infinity in the Oceans of the Universe? byChristina Wheeler Radialsystem, Berlin https://www.radialsystem.de/en/veranstaltungen/from-the-quarter-to-the-w-hole-what-lies-at-the-center-of-infinity-in-the-oceans-of-the-universe/MAY 10‘Aunes’ album launch w/ Vanessa Tomlinson (solo), and special guests Catherine Lamb and Dina Maccabee KM28, Berlin MAY 3Live performance with score for video and electronics ‘Paradise’as part of Adam Man’s solo exhibition Galerie Wedding, Berlin APRIL 13 Solo Äänen Lumo, Helsinki APRIL 11 Les Certitudes Archipel Festival, Geneva MARCH 14 Solo concert Presented by Himera and Sibelius Museum Sibelius Museum, Turkuhttps://sibeliusmuseum.fi/en/events/fredagar-pa-sibbe-judith-hamann/?gad_source=1&amp;gclid=CjwKCAjwnPS-BhBxEiwAZjMF0k54AddrviFUttAgY0eE-hO2KBylYwXh1aMYLOFPcBxVBYOvPtRacRoCDRcQAvD_BwE 2024-------------------------------------- DECEMBER 18‘Midmeste’ with James Rushford presented by Liquid Architecture + Ned Collette solo Carlton Church of All Nations, Carlton DECEMBER 17Make it up Club Bar Open, Fitzroy DECEMBER 15‘Midmeste’ with James Rushford People’s Republic, Sydney DECEMBER 11solo set opening for DRIFTWOOD (Aviva Endean and Nick Ashwood) with additonal set by Jim DenleyNorla Dome, Mission to Seafarers, Narrm/Melb DECEMBER 8Safe in Sound FestivalJolted Arts Space, 342 High Street Northcote NOVEMBER 29 les Certitudes Akouphone Festival, Geneva NOVEMBER 24 Harmonic Space Orchestraperforming Ellen Arkbro, Elsie Hamilton, Thomas Nicholson, James Tenney Huddersfield Contemporary Music Festival NOVEMBER 20solo cello and electronics set KM28, Berlin NOVEMBER 19 solo/solo/duo with Sholto Dobie RheiM, Köln NOVEMBER 15 Harmonic Space Orchestra performing Ellen Arkbro, Elsie Hamilton, Thomas Nicholson, James Tenney KM28, Berlin NOVEMBER 3 solo performance Grünow 700th birthday celebration Forsthaus, Grünow NOVEMBER 2 Kiezsalon duo with Sofia Jernberg ADK, Berlin OCTOBER 19 solo performance for closing of&nbsp;‘Permeation [Przenikanie]’ exhibition curated by Romuald DemidenkoMOS Gorzow (PL) OCTOBER 18 w/ Ned Collette and Bonnie Prince Billy Pierre Boulez Saal, Berlin OCTOBER 17 solo set Get Lost series with Catherine Lamb and Fredrik RastenMoabit Markthalle, Berlin OCTOBERT 12-13 DARA string festival performing works by: Sarah Hennies, Zeynep Toraman and tribute to Phill Niblock) Zwinglikirche + Raum Underlook, Berlin OCTOBER 10 PrimeTime with Harmonic Space Orchestra KM28 (Berlin) SEPTEMBER 14solo set split bill with Shakeeb Abu HamdanLes Instants Chavirés, Paris SEPTEMBER 13Opening of ‘Permeation [Przenikanie]’&nbsp; duo exhibition with&nbsp;Agnieszka Brzeżańska curated by Romuald Demidenko MOS Gorzow (PL)http://www.mosart.pl/wystawy-archiwum-2024/detail,nID,6750 SEPTEMBER 8with John Surman Pierre Boulez Saal, Berlin AUGUST 30Les Certitudes Meakusma Festival Eupen AUGUST 2-4solo setSanatorium of Sound Festival, Sokołowsko JULY 24solo/solo double bill with Shakeeb Abu Hamdan Kauno menininkų namai (Kaunas Artist House) Kaunas JULY 20solo set Gražuolė Smegduobė Festival Lynx Farm, Lithuania JUNE 22 Les Certitudes (with Juliette Adam andLéo Dupleix) Médiathèque du Sablon Metz JUNE 17 Cello trio with Deborah Walker and Émilie Girard-Charest presenting a new work by Pascale Criton and compostions by the trio Maison de l'Île de France 9 D Bd Jourdan 75014 Paris JUNE 8 Performance of Sarah Hennies’ ‘Motor Tapes’ As part of the Whitney Biennial performance program Whitney Museum, New York City MAY 27-31 Artist in residence with Jules Reidy GMEA, Albi MAY 25Ned Collette Band KM28, Berlin MAY 21Performance of ‘Desire Paths’ 8 channel versionGibanja Festival KONTEJNER, Zagrebhttps://www.kontejner.org/en/vijesti/cetvrto-izdanje-eksperimentalnog-zvucnog-dogadjanja-gibanja MARCH 31Judith Hamann and Patrick Ward&nbsp; cafe oto, London MARCH 23-24Solo and performing Cornelius Cardew with Gerard Lebik and Guiseppe Ielasi&nbsp;Sanatorium of Sound,&nbsp; Sokołowskohttps://sanatoriumofsound.com/editions/sanatorium-of-sound-10/ MARCH 158 channel version of Desire Paths Borealis Festival, Bergen FEBRUARY 25Mette Henriette trio Oslo Opera House FEBRUARY 16Reading of the essay ‘Some Notes on Karaoke’ Anorak, Berlin FEBRUARY 8 Solo + Rebecca Lane performing Laura Steenberg + Piriforms by Laura Steenberg, peformed by Owen Gardener, Catherine Lamb, Rebecca Lane, and Judith Hamann. Sowieso, Berlin FEBRUARY 2 Solo set StudiumP Vilnius 2023--------------------------------------DECEMBER 16Ned Collette band feat. Chris Abrahams House show write me for info ;) DECEMBER 9New Work by Yvette Janine Jackson, with Sam Dunscombe, Giga-Hertz-Festival für elektronische Musik und Klangkunst 2023 ZKM, Karlsruhehttps://zkm.de/de/veranstaltung/2023/12/giga-hertz-festival-fuer-elektronische-musik-und-klangkunst-2023 DECEMBER 2solo and duo with Sofia Jernberg MADEIRADiG,&nbsp;Museu de Arte Contemporânea da Madeira https://digitalinberlin.eu/ NOVEMBER 15-16Solo performances for ‘In A Landscape’ seriesAuditorium du GMEA, AlbiLe Vent des Signes, Toulousehttps://www.gmea.net/evenement/judith-hamann NOVEMBER 9 -12‘Lethe’ by Sandra Man Sound and Music by Judith Hamann, performance by Laura Siegmund and Lisa Densem Uferstudios 14, Berlin https://www.tanzfabrik-berlin.de/de/programm/2023#events/1710/2023-11-09-20-30 NOVEMBER 4Premiere of ‘Desire Paths’ for solo cello and tape A commission, commande INA grm dans le cadre de Re-Imagine Europe: New Perspectives for Action MAISON DE LA RADIO ET DE LA MUSIQUE - STUDIO 104, Paris https://www.maisondelaradioetdelamusique.fr/evenement/musique-contemporaine/ina-grm-akousma-1-0 OCTOBER 27‘Midmeste’ with James RushfordBasilica of Valère https://en.biennaleson.ch/artistes/judith-hamann-james-rushford OCTOBER 3Les Certitudesw/ Juliette Adam and Léo Dupleix KM28, Berlin SEPTEMBER 19 -26 Artist in Residence&nbsp; EMS, Stockholmhttps://www.elektronmusikstudion.se/composers/2023/1378-judith-hamann-halldorophone-ems-19-26-september-2023 AUGUST 12‘Les Disparitions’ by Sebastian Roux, performing with Cyprien Busolini and Yannick Guédon Toulx-Sainte-Croix, église Le Bruit de la Musique AUGUST 8World premiere of Sarah Hennie’s ‘Motor Tapes’ performing as with Ensemble Dedalus Orangerie, Darmstadthttps://internationales-musikinstitut.de/en/ferienkurse/festival/programm/motor-tapes/ JULY 16Yvette Janine&nbsp; Jackson Radio Opera Workshop contact for location, Reykjavik JULY 1Solo People’s Republic Sydney JUNE 24Solo for Liquid Architecture w/ Robbie Avenaim and Alan Licht Meat Market, Narrm (Melbourne)https://liquidarchitecture.org.au/events/la-presents-robbie-avenaim-alan-licht-and-judith-hamann MAY 31 ‘Prime Time’ Harmonic Space Orchestra&nbsp; KM28 Berlin MAY 20Tashi Wada ‘Hour of the Star’ with special guest Julia Holter and members of the Harmonic Space OrchestraEmmaus-Kirche, Berlinhttps://www.americanacademy.de/event/tashi-wada-hour-of-the-star/ MAY 11 FIBER Festival performing ‘Softness, Flashes, Floating Rage’ by/with&nbsp;Aleksandra Słyż, + w/ Gerard LebikConcertgebouw, Amsterdam APRIL 29 performing ‘Midmeste’ w/ James Rushford as part of a 3 day festival honoring Keith RoweKM28, Berlin APRIL 16Spiral Sunday&nbsp; Petersburg Art Sapce, Berlin APRIL 13 William Parker, Pierre Boulez Saal, Berlinhttps://www.boulezsaal.de/de/event/william-parker-104202 APRIL 7 solo for Counterflows festival, Glasgow APRIL 1 solo for Reception Festival, Dublin MARCH 19 Harmonic Space Orchestra with Ellen Arkbro, Sixth Edition Festival for Other Music, Stockholm https://sixth.edition-festival.com/Ellen-Arkbro-Kristofer-Svensson MARCH 13 Solo at Art Produce, San Diego w/ Go By Land and Amy Cimini, in collab w/ S4A San Diego MARCH 11 with Yvette Janine Jackon’s Radio Opera Workshop, UC Irvine MARCH 7 Solo for Unwrinkled Ear, beyond Baroque, Venice CA MARCH 3 Solo for Wayward Music Series curated by Lori Goldston w/&nbsp;Swil KanimChapel Performance Space, Good Shepherd Center, Seattlehttps://www.waywardmusic.org/ FEBRUARY 25 &amp; 26 Sounding Limits: Pascale Criton and solo performance Frequency Festival, Chicago https://www.frequencyfestival-chicago.com/ FEBRUARY 23 Sounding Limits: Pascale Criton, Silvia Tarozzi and Judith Hamann presented by ISSUE Project Room, Brooklyn Public Library https://issueprojectroom.org/event/sounding-limits-pascale-criton-silvia-tarozzi-judith-hamann FEBRUARY 21 The Reinvention of Romance w/ Sarah Hennies Blank Forms, Brooklyn JANUARY 28 CTM festival Spatial live x CTM performing work by Aleksandra Słyż MONOM Berlinhttps://www.ctm-festival.de/festival-2023/programme/schedule/event/spatial-live-x-ctm-2023 2022--------------------------------------DECEMBER 17 Duo with Sholto Dobie Organ Sound Art FestivalKoncertKirken Blågårds Plads, Copenhagenhttps://billetto.dk/e/organ-sound-art-festival-2022-billetter-751772?utm_campaign=event+page&amp;utm_content=1DK&amp;utm_medium=recommendations&amp;utm_source=billetto+advertising DECEMBER 9 ‘Sound reception’ Sacred Realism Festival KM28, Berlinhttps://www.km28.de/ DECEMBER 4Solo performance Matinee show sharing the bill with Áine O’Dwyer Cafe oto, Londonhttps://www.cafeoto.co.uk/events/matinee-judith-hamann/ DECEMBER 1Solo performance for Audiograft Festival Modern Art Oxford, OX1 1BPhttp://www.audiograft.co.uk/ NOVEMBER 17Solo performance Festival of Endless Gratitude Copenhagen https://foeg.dk/ NOVEMBER 14Stefan Schoenegg’s ENSO Stadtgarten, Cologne https://klaengfestival.de/ NOVEMBER 9Michiko Ogawa’s Junkan album launch KM28, Berlin OCTOBER 6‘Playing the Structures II’ with Anike Joyce Sadiq, Nino Bulling and leo Oranienplatz, Berlinhttps://oplatz.net/oplatzbox-the-refugee-movement-is-the-movement-of-the-21st-century/ SEPTEMBER 24Solo performance for Digital in Berlingalerie weisser elefant,Berlinhttps://www.eventbrite.de/e/galerie-weisser-elefant-x-digital-in-berlin-w-judith-hamann-lottie-sebes-tickets-393035408487?aff=ebdsoporgprofile SEPTEMBER 20Yvette Janine Jackson Radio Opera Workshop performance Teatro del Parco, Venicehttps://www.labiennale.org/en/news/biennale-musica-2022-experimental-music-theatre AUGUST 27SOW and Amant presents Solo cello performance, with Áine O’Dwyer and Zachary James WatkinsSan Giusto a Balli in Sovicille, Sienahttps://www.soworldwide.net/ AUGUST 18‘The Reinvention of Romance’ by Sarah Hennies performing with Sarah HenniesLive at ‘Low End’ Bemis Center, Omaha https://www.bemiscenter.org/events/sarah-hennies-with-judith-hamann AUGUST 14As I Progress w/ Sarah Hennies and Mara Baldwin Shaker Heritage Society Albany, NYhttps://www.eventbrite.com/e/as-i-progress-tickets-389609371117 JULY 1Solo performance in the Schloss Solitude Arkaden Sommerfest Akademie Schloss Solitude, Stuttgart https://www.akademie-solitude.de/en/event/summer-festival-hidden-traces/ JUNE 9Hand to Earth (AU) with members of the Australian Art Orchestra Boulez Saal, Berlinhttps://www.boulezsaal.de/de/event/australian-art-orchestra-97702 JUNE 5Heart of Noise Festivalsolo electroacoustic set Innsbruck, Austriahttps://www.heartofnoise.at/de/2022/home JUNE 3Klangteppich Festival Theater Aufbau Kreuzberg, Berlinhttps://www.eventbrite.com/cc/klangteppich-2022-302209MAY 21Performance for Anike Joyce Sadiq’s exhibition ‘Mit Glück hat es nichts zu tun‘ Künstlerhaus, Stuttgarthttps://kuenstlerhaus.de/en/ MAY 13Andrew Bernstein performing&nbsp;In Flux with Owen Gardner (guitar), Philipp Gerschlauer (alto sax), Judith Hamann (cello), Julia Reidy (guitar), and Deborah Walker (cello) KM28, Berlin APRIL 28Black Truffle presents @ Cafe OtoSolo performance w/ Oren Ambarchi and Ora ClementiCafe Oto, Londonhttps://www.cafeoto.co.uk/events/black-truffle-present-oren-ambarchi/ APRIL 21 Ned Collette band Arkaoda, Berlin APRIL 9BRDCST Festival Ancienne Belgique, Brusselshttps://www.abconcerts.be/en/agenda/brdcst-2022-day-2/a105J000001wiFgQAI MARCH 27Maerz Musik: A Garden of Forking Paths Finale 2 Ukraine Fundraising Konzert performing with the Harmonic Space Orchestra Silent Green, Berlinhttps://www.berlinerfestspiele.de/de/berliner-festspiele/programm/bfs-gesamtprogramm/programmdetail_375061.html MARCH 26Maerz Musik: A Garden of Forking Paths Finale 1 performing Alvin Lucier’s [Hartford] Memory Space with the Ever Present OrchestraSilent Green, Berlin https://www.berlinerfestspiele.de/de/berliner-festspiele/programm/bfs-gesamtprogramm/programmdetail_366431.html MARCH 3-5Blank Forms residency Blank Forms, Brooklynhttps://blankforms.org/events/judith-hamann-nora-fulton/ FEBRUARY 6‘Midmeste’ w/ James Rushford ECLAT Festival Neue Musik, Theaterhaus, Stuttgarthttps://www.eclat.org/en/konzert/midmeste/ FEBRUARY 3&nbsp;Craving Coincidence, ‘First Snow’curated by Marja Ahti‘Midmeste’ w/ James Rushford Wabe, Berlin (presented by Ausland)https://www.digitalinberlin.de/marja-ahti-guests-cc-no-2.../ JANUARY 21 Ultraschall Festival for Neue Musik Heimathafen Neukölln in Berlinhttps://ultraschallberlin.de/konzert/2022-01-21-zsolt-soeres/ 2021--------------------------------------DECEMBER&nbsp; 19Who Is It?&nbsp;Cripta747 presents w/ Nour MobarakImbarchino del Valentino, Torinohttps://www.cripta747.it/who-is-it-live-performance/ DECEMBER 3Tectonics Festival Athens Old Stock Exchange, Athenshttps://www.onassis.org/whats-on/tectonics-athens-21?fbclid=IwAR268k-F6CR0sS0vmvod14czB6Jblet9fPH_ifNYX7D1NCJMwG_rDeid938 DECEMBER 1 Munch Museum w/ Nora Fultonhttps://www.munchmuseet.no/hva_skjer/judith-hamann/ NOVEMBER 18Harmonic Space Orchestra plays James TenneyChristuskirche, Dorothee-Sölle-Platz 1, 50672 Köln https://www.reihe-m.de/?p=4721 NOVEMBER 14 Werner Dafeldecker ‘Neural’ peformance Liebig 12, Berlinhttp://www.liebig12.net/14-11dafeldecker-capece-hamann-heilbronn/?fbclid=IwAR1Ss6gpDGFkykE8ERRxv9xsea_YN0jUJBE9lfJkAtcCidiz7Kmn1RoVNoI NOVEMBER 13 Raed Yassin Phantom Orchestra (solo set)Morphine Raum, Köpenicker Str. 147 Berlinhttps://raedyassin.info/phantom-orchestra NOVEMBER 7 Nancy Mounir: “Nozhet El Nofous (Those who were not invited)” Listening session for Berlin Jazz Festival with Maurice Louca and Uygur Vural Silent Green, Berlinhttps://www.berlinerfestspiele.de/en/berliner-festspiele/programm/bfs-gesamtprogramm/programmdetail_358017.html OCTOBER 31 Semibreve Festival Yvette Janine Jackson &amp; Judith HamannSalão Medieval da Universidade do Minho, Bragahttps://festivalsemibreve.com/programme/10-31/yvette-janine-jackson-w-judith-hamann OCTOBER 27 Solo KM28, Berlin OCTOBER 23 Ned Collette band showAtelier Bitzerm Kanalstr. Berlin OCTOBER 20-21The Sound of Distance Performing duo with Anthea Caddy on her ‘Long Throw’ speaker system, and Alvin Lucier’s Music for Cello with One or More Amplified Vases Haus der Kulturen der Welt, Berlinhttps://www.hkw.de/en/programm/projekte/2021/the_sound_of_distance/start.php OCTOBER 16Solo concert for ‘Week of Surprise’&nbsp;Galerie Martina Kaiser, Colognehttps://www.stadtgarten.de/en/program/week-of-surprise-judith-hamann-shaking-studies-music-for-cello-and-humming-4801 OCTOBER 4 Festival Riverrun Harmonic Space Orchestra perform Marc Sabat’s Gioseffo Zarlino THÉÂTRE DES LICES, Albihttps://www.gmea.net/evenement/riverrun-352 SEPTEMBER 30Wunderkammer Festival Solo set cc Strombeekhttps://www.ccstrombeek.be/podium/wunderkammer SEPTEMBER 24 SPACE EXPANDING: Kontraklang Performing Catherine Lamb’s String Quartet no. 1 Villa Elisabeth, Berlinhttps://kontraklang.de/concert/space-expanding/ SEPTEMBER 18 Antechamber Ledreborg Slot (DK) https://instagram.com/visitantechamber SEPTEMBER 8 - 11 Ambient Festival Performing with Alvin Lucier’s Ever Present Orchestra St Apostlen, Cologne, and Zionkirche, Berlinhttps://ambient-festival.com/ever-present-orchestra/ SEPTEMBER 3 Cologne Jazz Week performing with Stefan Schoenegg’s ENSO Alte Feuerwache, Cologne AUGUST 2 - 17Artist in Residence RUPERT, Vilnius JULY 26Carolyn Chen Portrait Concert Performing Rara Avis for Solo CelloKM28, Berlin https://www.facebook.com/events/3886631321466584/?ref=newsfeed JULY 17TRACE CONSTELLATIONS installation opening event Raum on Demand - Alte Münze courtyard Molkenmarkt 2, 10179 Berlinhttps://www.instagram.com/raumondemand/ JULY 15Duo concert with Lucio Capece Petersburg Art Space, Berlin JUNE 27Solo set for Music for the Cosmos Petersburg Art Space, Berlinhttps://www.facebook.com/events/562149308109672?ref=newsfeed JUNE 26 Harmonic Space Orchestra -&nbsp;Harmony,Emptiness,Space Konzerthaus Kleiner Saal, Berlin https://www.konzerthaus.de/de/programm/freiraum-harmonic-space-orchestra/6920 JUNE 19‘Illmiss’ premiere with Mette Henriette Arctic Arts Festival, Harstad 2020--------------------------------------&nbsp; OCTOBER 16 -24 Harmonic Space Orchestra 2020 James Tenney Peforming works throughout the week by James Tenney, Chiyoko Szlavnics, Frederik Rasten, and Marc Sabat. KINDL and KM28, Berlinhttps://www.harmonicspace.org/festival2020/ SEPTEMBER 30Duos 2020&nbsp; With Biliana Voutchkova Studio Rainer Spehl, Berlin SEPTEMBER 3 - 4Duo with Lucy Railton and solo performance of music for cello humming KM28 Reopening concerts KM28, Berlin JUNE 18 - CANCELLEDWorld Premiere of new works for cello and humming Inland Concert Series Carlton Church of All Nations, Melbourne JUNE 14 - CANCELLEDWorld premiere of Eliane Radgiue’s Occam River XXIV for flute and cello Hobart Town Hall, Dark Mofo, Hobart MAY 31 - CANCELLED/POSTPONED Australian Art Orchestra with Amir El Saffar Melbourne Jazz Festival, The Pavilion, Arts Centre, Melbourne MAY 16 - CANCELLEDSolo performance Himera Collective Sibelius Museum, Turku MAY 14&nbsp; - CANCELLEDJames Tenny Postal Pieces presented by&nbsp;Tulkinnanvaraista Performing ‘Cellogram’ Forum Box, Helsinkihttps://www.facebook.com/events/180450683175496/?notif_t=plan_user_invited¬if_id=1581608641215499 APRIL 3 - ONLINE Black Speculative Musicalities, curated by Vijay Iyer Yvette Janine Jackson - The Radio Opera Workshop Fromm Players at Harvard Oberon, Cambridge MAhttp://music.fas.harvard.edu/calendar.shtml MARCH 5 - MAY 29Artist in Residence - Australia Council for the Arts residency programHIAP, Suomenlinnahttps://www.hiap.fi/resident/judith-hamann/ FEBRUARY 21Malibu + Judith Hamann Sonic Acts FestivalStedelijk Museum, Amsterdamhttps://2020.sonicacts.com/artists/malibu-judithhamann FEBRUARY 18Solo/duo with Biliana Voutchkova&nbsp; Instants Chavirés, Parishttps://www.instantschavires.com/biliana-voutchkovajudith-hamann/ FEBRUARY 16 Solo performances for ‘Open Day’ Musical Ecologies (Hennies, Hamann) Onassis Cultural Center, Athens https://www.onassis.org/whats-on/open-day-2020 FEBRUARY 10 Anthea Caddy + Judith Hamann Cafe Oto, Londonhttps://www.cafeoto.co.uk/events/anthea-caddy-judith-hamann-billy-steiger/ JANUARY 23 solo set/ Jon Heilbron solo KM 28, Berlin 2019--------------------------------------- DECEMBER 19Ned Collette, Judith Hamann, Steve Heather, Manuel Lima quartet show Sowieso, Berlin DECEMBER 12 Solo set for FRIM Fylkingen, Stockholmhttps://www.fylkingen.se/node/2637 DECEMBER 2-8Composer in Residence with Anthea Caddy at Elektronmusik Studion EMS, Stockholmhttp://elektronmusikstudion.se/composers/2019/1060-judith-hamann-anthea-cadd-ems-2-8-december-2019 NOVEMBER 18Duo with David Watson The Park Church Co-op, Brooklyn, NY https://www.facebook.com/events/510142119569868/ NOVEMBER 4Live performance of Eliane Radigue’s Vice Versa, etc... and&nbsp;Chry-ptus with Charles Curtis Bortolami, Andrew Kreps, and Kaufmann Repetto55 Walker St. New York, NY https://blankforms.org/events/eliane-radigue-vice-versa-etc-and-chry-ptus/ NOVEMBER 1Ishibashi - Talia - Yamamoto - Dunscombe - Hamann KM28, Berlinhttps://www.km28.de/ OCTOBER 31Anthony Braxton’s Sonic Genome Berlin Jazz Festival Gropius Bau, Berlinhttps://www.berlinerfestspiele.de/en/berliner-festspiele/programm/bfs-gesamtprogramm/programmdetail_293795.html OCTOBER 19Submerged In the Greater Will (world premiere) by Cat Hope Concerto for choir, cello, and electronicsRobert Blackwood Hall, Melbournehttps://www.monash.edu/mlive/whats-on/events/monash-uni-singers-talkshow/ OCTOBER 16Talk and Performance Mlab series, Monash Pavillion Monash Universityhttps://www.monash.edu/mpavilion/whats-on/mlab-series-cellist-judith-hamann OCTOBER 14Solo performance Inland Concert Series Carlton Church of All Nations, Melbournehttp://inlandconcertseries.net/?m=19.9 SEPTEMBER 28Zeitkratzer + Zaum Percussion Mario Bertoncini Tribute ConcertKulturRaum Zwingli-Kirche, Berlin https://www.eventbrite.de/e/zeitkratzer-zaum-percussion-it-mario-bertoncini-memorial-tickets-68786746009 SEPTEMBER 27Mette Henriette ECM 50th Anniversary ConcertNasjonal Jazzscene Victoria, Oslo https://nasjonaljazzscene.no/arrangement/ecm-50-mette-henriette-carla-bley-trio/ SEPTEMBER 6 + 8Bendigo International Festival of Exploratory Music With the Argonaut String Quartet‘Graphite Barrier’ and ‘Motions of Large Real Bodies’Various venues, Bendigohttps://www.bifem.com.au/2019 &nbsp;SEPTEMBER 1Musik Box (curated by John Nixon) Solo set Bus Projects, Melbourne AUGUST 24 Supersense Festival of the Ecstatic Supersense MINIMAL + Superdrone Arts Centre, Melbournehttps://www.artscentremelbourne.com.au/supersense-festival AUGUST 20Trio with Lily Tait and Mirren Strahan&nbsp; Make It Up ClubBar Open, Melbourne AUGUST 6 Hammers Lake with Dure Dara Make It Up Club Bar Open, Melbourne JULY 27 - AUGUST 3 Oscar and Lucinda Sydney Chamber OperaCarriageworks, Sydneyhttps://carriageworks.com.au/events/oscar-and-lucinda-2019/ JUNE 10Solo . Solo . Duo .&nbsp; With Aviva Endean for Tura New Music Bar 459, Perth JUNE 21 - JULY 9 Tura New Music SONUS Tour with Naomi Pigram, Mark Atkins, and Aviva EndeanKununurra, Wyndham, Warmun, Halls Creek, Fitzroy Crossing, Derby, Beagle Bay, One Arm Point, Lombadina, Broome, Fremantlehttp://sonus19.tura.com.au/the-tour/about JUNE 20With Mette Henriette Hobart Town Hall Dark Mofo, Hobarthttps://darkmofo.net.au/program/mette-henriette JUNE 15Lori Goldston + Judith Hamann duo The Business, Anacortes JUNE 14Lori Goldston + Judith Hamann duo Toast, Vancouver BCJUNE 13Lori Goldston + Judith Hamann + Greg Kelley + Alan F Jones + Austin Larkin + Eric Padget Teatro de la Psychomachia, Seattle JUNE 11Lori Goldston + Judith Hamann duoNalanda West, SeattleJUNE 9Solo for The Unwrinkled Ear Coaxial, Los Angeles JUNE 8Duo with Anna Homler Interpreting the work of Dorit Cypis Santa Monica Prefecture, Los Angeles MAY 17Performing with Rogelio Sosa Album launch - Ecliptic Ex -Teresa, Mexico Cityhttps://www.mexicoescultura.com/actividad/214700/en/ecliptic.html MAY 16Fear of the Object + Juan GarciaAnahuacalli Museum, Mexico City &nbsp;http://museoanahuacalli.org.mx MAY 4Fear of the Object + Juan GarciaH3ar Sessions, San Miguel de Allende, MX APRIL 30Pikelet launch&nbsp; Zebulon, Los Angeles APRIL 28Fear of the Object Full City Rooster, Dallas APRIL 27Fear of the Object (Kjell Bjørgeengen, Chris Cogburn) + Martin Taxt Cloud Tree Studios and Gallery, Austin APRIL 23 Duo with Aviva Endean Make It Up Club, Bar Open, Melbourne APRIL 5, 6, 12, 13 Jon Rose - Violin Generator Substation, Newport, Melbournehttps://thesubstation.org.au/whats-on/the-violin-generator/ MARCH 31Performance with Tonaliens (Werner Durand, Hilary Jeffrey, and Robin Hayward) The Long Now, Maerzmusik, Kraftwerk, Berlinhttps://www.berlinerfestspiele.de/de/berliner-festspiele/programm/bfs-gesamtprogramm/programmdetail_276700.html MARCH 22Horatio Radulescu’s&nbsp;Clepsydra for 16 players with Sound Icons, op. 47 (1981/82)World premiere of the original version Maerzmusik Festival, Berlinerfestspiele, Berlinhttps://www.berlinerfestspiele.de/en/berliner-festspiele/programm/bfs-gesamtprogramm/programmdetail_276437.html?fbclid=IwAR1Nj6y8CP6Bg3y_laDNl1SyU2nBRpASsMFib1E3lJYhhRjRPClJWdcRBn8 MARCH 18Solo/duo with Ingar Zach Cruce, Madrid MARCH 17Solo set Sonoscopia, Porto MARCH 14 Solo setDAMAS, Lisbon FEBRUARY 21Sonic Acts Festival GRM Acousmonium Anthea Caddy and Judith HamannParadiso, Amsterdam https://www.paradiso.nl/en/program/sonic-acts-festival-2019-opening-night/56795/ FEBRUARY 1-28 Artist in Residence Kunstmeile Krems Betriebs GmbH Krems&nbsp;an der DonauJANUARY 28Duo with Lori Goldston Inland Concert Series Carlton Church of All Nations, Melbourne JANUARY 22Hammers Lake with Nat GrantMake It Up ClubBar Open, Melbourne JANUARY 21 with Grand Salvo, opening for Julia Holter Melbourne Recital Centre, Melbourne JANUARY 16 &amp; 17He Pūtōrino Mākutu (a magic flute): a taonga pūoro puppet opera With original music by:&nbsp;Rob Thorne (Ngāti Tumutumu), Celeste Oram and Alex TaylorHearing the Future Festival - San Diego SymphonyThe Sandbox, San Diego more information here: https://purchasing.sandiegosymphony.org/single/psDetail.aspx?psn=7176 JANUARY 14Monday Evening Concerts Performing Sarah Hennies ‘Contralto’Zipper Hall, Los Angeleshttp://www.mondayeveningconcerts.org/jan-14-2019--contralto.html 2018--------------------------------------- DECEMBER 21Golden Fur Carlton Church of All Nations, Melbourne DECEMBER 5Solo set AURAL Festival Casa del Lago UNAM Mexico City NOVEMBER 29Sandy Ewen/Bonnie Jones/Judith Hamann Performing Sarah Hennies’ ‘Loss’ for humming cellist The Red Room, Baltimore NOVEMBER 25Judith Haman/Julian Otis Constellation, Chicagohttps://www.constellation-chicago.com/event/1781718-judith-hamann-julian-otis-chicago/ NOVEMBER 20 Corey Fogel and Friends Zebulon, Los Angeles NOVEMBER 17 Los Angeles Philharmonic Fluxus Festival Performing La Monte YOUNG and Marian ZAZEELA : The Melodic Version (1984) of The Second Dream of The High-Tension Line Stepdown Transformer&nbsp;from The Four Dreams of China (1962) in Dream Light Walt Disney Concert Hall, Los Angeleshttps://www.laphil.com/events/performances/216/2018-11-17/fluxus-fluxconcert/ NOVEMBER 12Performing Sarah Hennies’ ‘Loss’&nbsp;for humming cellist the wulf, Coaxial, Los AngelesNOVEMBER 10Improvised music with Francisco Eme and Bonnie Lander Artist in Residence space, Bread &amp; Salt, San Diego OCTOBER 28Ned Collette ‘Old Chestnut’ tour (with Chris Abrahams, Joe Talia, and Fredrik Kinbom) Cafe Kino, Bristol OCTOBER 27 Ned Collette ‘Old Chestnut’ tour (with Chris Abrahams, Joe Talia, and Fredrik Kinbom) The Old Dentist, Lower Clapton, London OCTOBER 7Premiere performance of Sarah Hennies ‘Loss’ for humming cellist Studio ::, St Petersburg Arts Space, Berlin SEPTEMBER 28Solo set for Silver Road Presents, with Pierre Berthet The Old Dentist, Lower Clapton, London SEPTEMBER 13 &amp; 14Ned Collette ‘Old Chestnut’ launch events Eastmint, Melbourne Tickets:&nbsp;itrecords bandcamp SEPTEMBER 11 Improvised quartet with Scott McConnachie, Ren Walters, and Jenny Barnes The Brunswick Green, Melbourne SEPTEMBER 7Argonaut String Quartet for the Bendigo International Festival of Exploratory Music https://www.bifem.com.au/2018/program/concrete-porcupineCapitol Theatre, Bendigo SEPTEMBER 5 Hammers Lake with Scud Viney Make It Up Club, Bar Open, Melbourne AUGUST 31 Grand Salvo performs ‘Death’ for the Melbourne Writers FestivalAnimal Church at 524 Flinders, Melbourne AUGUST 23Quartet improvised show with Francis Plagne, Maria Moles, and Samuel Dunscombe&nbsp; Longplay, Melbourne AUGUST 20Inland Concert Series 18:7 Repetition a Replacement for Certainty Peforming with Ned Collette, Alexander Garsden, and Rohan Drape Carlton Church of All Nations, Melbourne http://www.inlandconcertseries.net AUGUST 4-19Artist in Residence Cooroora Institute, Black Mountain, Australia Performance presenation and exhibition showing Saturday 18th 4-6pm https://www.cooroorainstitute.org This residency is made possible by the support of the Australian Cultural Fund JULY 7 Solo Performance for Avantwhatever Festival RRR Performance Space, Melbourne JUNE 20-30 Narli Tour with Joe Talia, Mark Atkins, and Tos Mahoney Kunnunurra, Warmun, Halls Creek, Fitzroy Crossing, Derby, Western Australia&nbsp;https://www.tura.com.au/narli-tour/ JUNE 17 Solo Performance for INLAND 18.6: WHOSE SHADOWS TOUCHED EACH OTHER with Great Waitress, Monica Brooks, Julia Reidy, and Ingar Zach Christ Church Hall, Brunswick, Melbourne http://www.inlandconcertseries.net JUNE 14 Solo Performance The Old Haridressers, Glasgow JUNE 9Solo set for Rammel Club Chameleon, Nottingham Chameleon, Nottingham JUNE 6 Solo and duo with Áine O'Dwyer Cafe Oto, London MAY 31 Moonpix 20th Anniversary Concert with Cat Power Sydney Opera House, Sydney MAY 20 Solo/solo with Julia Reidy 'BOLOGNA', Amsterdam MAY 4 Duo with Kostis Kilymis RIDE, Chania, Greece https://www.facebook.com/events/604396923228349/ MAY 3 Coherent States: duo with Kostis Kilymis Boiler, Athens https://www.facebook.com/events/212195482873111/ APRIL 29 Duo show with Ned Collette Studio 8, Berlin APRIL 20Anthea Caddy and Judith HamannGalleria Frittelli Arte Contemporanea, Florence http://www.temporeale.it/produzione/666-trk-sound-club-iii-edizione.html MARCH 26 Duo with Lori Goldston + Julia Reidy&nbsp; Hollow Earth Radio, Seattle MARCH 24 Duo with Alan F Jones + Julia Reidy + Lori Goldston, Greg Kelley, Dave Abramson Alternative Library, Bellingham MARCH 23Julia Reidy + Judith Hamann tourCreative Music Guild, Portland OR MARCH 17 Julia Reidy + Judith Hamann tour + Theresa Wong Temescal Arts Center, Oakland MARCH 16 Julia Reidy + Judith Hamann tour (duo with Jessika Kenney) + Michela Tobin Character Projects, Los Angeles MARCH 15 Julia Reidy + Judith Hamann tour (with Anna Holmer and Jorge Martin) + Xareni Lizarraga + Anthony Vine Bread &amp; Salt, San Diego MARCH 11 Julia Reidy + Judith Hamann tour + Ben Bennett Rhizome, Washington D.C. MARCH 10 Julia Reidy + Judith Hamann tourRed Room, Baltimore MARCH 8 Julia Reidy + Judith Hamann tour Vox Populi, Phildelphia MARCH 7Julia Reidy + Judith Hamann tourTrio set with David Watson, 'limited resources' seriesMuchmore's Bar, Williamsburg, NYC FEBRUARY 22-25 No Idea Festival Austin, Texas http://noideafestival.com FEBRUARY 10 Re:Sound A-168 Mare Island, Vallejo http://www.re-sound.net FEBRUARY 3-4SoundOut 2018 Drill Hall Gallery, Canberra https://www.eventbrite.com.au/e/soundout-festival-2018-tickets-39378405872 JANUARY 24 - 27The Now now Festival&nbsp; 107 Projects, Redfern, Sydney JANUARY 23 Make It up Club 20th Birthday With Clare Cooper and Bonnie Lander http://makeitupclub.blogspot.com JANUARY 22 Piano, Violin, Viola, Cello INLAND concert series Church of All Nations, Melbourne http://www.inlandconcertseries.net JANUARY 18 Ned Collette Band show Gasometer, Melbourne 2017------------------------------------ DECEMBER 16 Arnold Dreyblatt Tokyo Ensemble Arnold Dreyblatt, Jim O'Rourke, Oren Ambarchi,&nbsp;Konrad Sprenger,&nbsp;Samuel Dunscomb,&nbsp;Eiko Ishibashi,&nbsp;Judith Hamann,&nbsp;Toshiaki Sudo,&nbsp;Joe Talia. Superdeluxe, Toyko DECEMBER 15 Premiere of new work ‘Ashering’ commissioned by Cedric Tai for open ensemble Simone DeSousa Gallery, Detroit DECEMBER 14 Duo with Yoshimoto Yumiko Cafe Flying Teapot, Ekoda DECEMBER 12 Trio show with Taku Sugimoto and Samuel Dunscombe Ftarri, Tokyo http://www.ftarri.com/suidobashi/index-e.html DECEMBER 10Duo with Toshimaru Nakamura Otooto, Shimokitazawa http://www.otooto.jp/ DECEMBER 4 Duo with Stephanie Richards as part of a new improvisation series UAG, UC San Diego, La Jolla DECEMBER 3 Performance of ‘Half-Open Beings’ for mixed ensemble for Annie Hui-Hsin Hsieh’s doctoral recital. Experimental Theater, UC San Diego, La Jolla NOVEMBER 18Solo set for the opening of Borders of the Echo: visualizing and sonorizing the limits between sound art and other media. The FRONT Arte Cultura, San Ysidro NOVEMBER 10 Quiet City performance series solo with Dashes, Mathieu Ruhlmann + Joda Clément + Alan Jones, and Man Forever Red Gate Theater, Vancouver, BC NOVEMBER 9 Lori Goldston &amp; Judith Hamann,&nbsp;Earshot Jazz Festival Chapel Performance Space, The Good Shepard Center, Seattle Tickets: https://earshot.secure.force.com/ticket/#sections_a0F1a00000Us48rEAB NOVEMBER 5 Racer Sessions - host and solo set Cafe Racer, Seattle www.racersessions.com NOVEMBER 3 Duo/duo/duo show with Greg Kelley and Alan Jones Woodlands Theater, Seattle OCTOBER 15 Solo set - show feat. Kaori Suzuki, John Krausbauer, Necking Bread &amp; Salt, San Diego OCTOBER 14 Performance with The Ecstatic Music Band Coaxial, Los Angeles SEPTEMBER 19Solo set for Now Now concert series107 Projects, Redfern, Sydney SEPTEMBER 1-3 Argonaut String Quartet for Bendigo International Festival of Exploratory Music please see:&nbsp;http://www.bifem.com.au Various venues, Bendigo AUGUST 22 Hammers Lake with Rama Pawarta - Liquid Architecture + Make it Up Club co-presentation Bar Open, Melbourne AUGUST 20 OVERGROUND (with Ánde Somby, Carolyn Connors, and Golden Fur) + SPIRITUALIZED WITH Australian Art Orchestra for Supersense Festival of the Ecstatic The Arts Centre, Melbourne AUGUST 14 Anthea Caddy and Judith Hamann duo performance for Inland Concert Series 17:A Who Has Passed Here Before Me&nbsp; http://www.inlandconcertseries.net Carlton Church of all Nations, Melbourne JULY 12 -23 Sounding Paths 2017, Syros Sound Meetings Residency Old Jesuit Convent, Ano Syros JUNE 23 - 25 Asterion Festival - solo set, with Mike Majkowski &amp; Company, and Ned Collette http://nedcollette.com/asterion ROTOR, Berlin JUNE 17 Golden Fur for Tectonics Athens Onassis Cultural Center, Athens JUNE 1 - JULY 31 Artist in residence at Cité International des Arts with Golden Fur Through the Australia Council for the Arts to facilitate a new work with Dennis Cooper, Zac Farley, and Golden Fur Cité International des Arts, Paris MAY 27 Organ for the Senses with SDAI and Parkeology - music director http://parkeology.org/organ-for-the-senses/ The Spreckels Organ Pavillion, San Diego MAY 11 Pre-existing Conditions - with Stephanie Richards and Sarah Bernstein Bread &amp; Salt, San Diego APRIL 28 The Lives of Specimens - new work for cello and field recordings http://parkeology.org/lives-of-specimens/ Natural History Museum, San Diego APRIL 27 Anthea Caddy and Judith Hamann Warren Studio A UCSD, San Diego APRIL 22 Solo/Solo/Duo with Alan F Jones for The Wulf Coaxial, Los Angeles APRIL 18 New work for ensemble by James Rushford The Wild Beast CalArts, Los Angeles APRIL 15-16 Director of ENCUENTRO festival, co-curated with Haydeé Jiménez (Borderland Noise) and Armando De La Torre, featuring 54 artists from California USA and Baja California MX https://www.facebook.com/events/1838784556370631/?acontext=%7B%22ref%22%3A%2222%22%2C%22feed_story_type%22%3A%2222%22%2C%22action_history%22%3A%22null%22%7D Nett Nett, Tijuana + Bread &amp; Salt, San Diego APRIL 5 Performing Roscoe Mitchell’s Noonah w/ Drew Ceccato &amp; Ensemble Experimental Theater UCSD, San Diego APRIL 4 Bonnie Lander’s ‘Coping Mechanisms’ improvised opera, presented by Rhymes With Opera (NYC) Experimental Theater, San Diego MARCH 29 WORK #23 - duo with Ilan Volkov The Sump, Ridgewood NY MARCH 19 Duo with Suzanne Thorpe for Space Time Bread &amp; Salt, San Diego MARCH 14 Weiße Apfel, with Alexander Bruck, Jacob Wick, and Fabian Rangel Bucareli 69, Mexico City MARCH 12 Libertino Domingo with Ben Bennett and Jacob Wick Morelia MARCH 11 PSR Audiosesiones 5ta Edición with Ben Bennett and Jacob Wick Proyectoshoroom, San Miguel de Allende MARCH 10 UMBRAL XXXI solo set Galeria Marso, Mexico City FEBRUARY 10-12 SLOW SD Festival - The Usual Traffic - new work by Todd Moellenberg and Judith Hamann for cellist and driver, as well as works by Catherine Lamb, Taku Sugimoto, and D. Edward Davis Recital Hall UCSD, San Diego FEBRUARY 7 Marginal Frequency - trio with Alan F Jones and Jacob Wick Bread &amp; Salt, San Diego FEBRUARY 2 RENGA perform Boulez’s Répons, condcted by Steve Schick Mandeville Auditorium, San Diego JANUARY 23 Monday Evening Conert Series - Julius Eastman:Gay Guerrilla - The Holy Presence of Joan d’Arc http://www.latimes.com/entertainment/arts/la-et-cm-monday-evening-concerts-review-20170124-story.html Zipper Hall, Los Angeles JANUARY 3 Make It Up Club 19th Birthday Celebration - duo with Sophia Brous Bar Open, Melbourne 2016---------------------------------- NOVEMBER 20Frey Day - Wen Day (The Wen series by Jurg Frey) The Silo 1955 Julian ave, San Diego OCTOBER 12-13 Alvin Lucier 75th Birthday Festival performances ZHdK, Zurich OCTOBER 07 Musik Protocol Festival premiering new work by Alvin Lucier with the Charles Curtis quartet Helmut List Halle, Graz OCTOBER 01 Golden Fur Tokyo Sextet performance with Toshimaru Nakamura and Seijiro MurayamaPOOL, Tokyo SEPTEMBER 4-21 TURA New Music regional tour performing with the Narli ensemble&nbsp; Kununurra, Warmun, Wangkatjungka, Fitzroy Crossing, Derby, Broome, Beagle Bay, One Arm Point, Djarindjin, Lombadina, Perth SEPTEMBER 3 BIFEM performing with the Argonaut String Quartet and the Argonaut Ensemble Bendigo AUGUST 28 Inland Concert Series 16:6 Three Bodies Neon Park, Melbourne AUGUST 23 Hammers Lake at Make It Up Club with Maria Moles Bar Open, Melbourne AUGUST 16 Live At Peggy’s solo set Peggy House, Sydney JULY 1-31 Golden Fur residency at Recollets and GRM/Radio France with Dennis Cooper and Zac Farley Paris JUNE 22 Works by Liza Lim and Callum G’Froerer for Smallroom Berlin Villa Elisabeth, Berlin JUNE 7-12Anthea Caddy and Judith Hamann Italian tour, with presentation partners Tempo Reale and O’ Gallery Naples, Milan, Florence APRIL 10-16 Organizer for UCSD Springfest, including Springfest @ Bread &amp; Salt a one day festival of improvised music, and SUSPIRIA LIVE! Bread &amp; Salt, San Diego MARCH 23-29 Rosalind Hall and Judith Hamann US concerts The Wulf, Los Angeles, The Red Room, Baltimore, WORK: The Sump, NYC JANUARY 29 Jurg Frey String Quartets 2 &amp; 3 Recital Hall UCSD, San Diego OLDER SELECTED PERFORMANCES 2015------------------------- DECEMBER Artist residency and performance showing at Q-02 with Anthea Caddy Brussels NOVEMBER Golden Fur performance of repertoire by Hans Koch, Maya Dunietz, Anthony Pateras and more at Tectonics Festival Tel Aviv AUGUST Australian premiere performance of Jakob Ullmann with Golden Fur and ‘Discreet + Oblique’ collaboration with the Necks, Leo Abrahams and David Coulter at Supersense festival Melbourne SEPTEMBER New work for cello and playback presented at the Inland concert series Melbourne SEPTEMBER Duo performances with Rosalind Hall for the Ladyz in Noyz tour Bendigo, Melbourne JULY Performance of La Monte Young’s The Second Dream of the High Tension Line Step-down Transformer from the Four Dreams of China for the Dia Foundation’s La Monte Young 80th birthday celebrations&nbsp; New York City 2014---------------------- &nbsp;Zorn @ 60 and Zorn Classical Marathon performances with ELISION ensemble for the Adelaide Festival of the Arts with John Zorn in his first ever Australian appearance Adelaide Tectonics Festival Adelaide directed by Ilan Volkov, including performances of works by Scelsi, Xenakis, Veltheim, Avenaim and the curation of an all female experimental music performance section with Hammers Lake&nbsp; Adelaide Seoul International Dance festival with ‘Ampersand: Atomic’ a collaborative project between NYID, ELISION and Wuturi ensemble&nbsp; Seoul Solo recital, Golden Fur performance and guest performance with Ensemble Vortex (Switzerland) at BIFEM 2014, including a new collaborative multimedia work with Sabina Marselli&nbsp; Bendigo 2013----------------------- Tokyo Experimental Festival and Tokyo Wondersite Artist residency premiering a new performance/installation work in collaboration with composer Samuel Dunscombe&nbsp; Tokyo Performances for the Melbourne International Arts Festival including works by James Hullick (Bruchlandung, Sonic Flock) and performing for the Pedro Reyes exhibition ‘Disarm’&nbsp; Melbourne Performance of Oren Ambarchi’s Knots at Tectonics Festival with members of the BBC Scottish Symphony Orchestra, Ilan Volkov, James Rushford and Joe Talia Glasgow <img width="776" height="776" width_o="776" height_o="776" src_o="https://cortex.persona.co/t/original/i/9a658a3055342349b231006c14c4b8f43adf5ef8f7e7d5aad493f3e792f5f263/17353108_10210672662447092_4720939154166252298_n.jpg" data-mid="265529" border="0" />Image: Judith Hamann with James Rushford Home Schedule2026-------------------------------------- APRIL 14Ghost Ensemble &amp; Harmonic Space Orchestra Works by Lamb, Mackaly, and Richter,&nbsp; BKA Theater,...